Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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At his best Shakespeare has the power to get under the skin of his audience and
tap into areas of feeling and experience that they are barely aware of . In this the
actor is the go - between and the enabler . If the actor commits to the language ...
Even in the final exclamations , when he calls the mockery ' unreal he shows an
understanding and a distancing of the experience . Wallow in too much emotion ,
and the story that lies at the centre of the speech is lost . The speech becomes ...
You had a fantastic core of experience . I used to love being on stage with Mirren
and Gambon , and thinking why and how it was that they were approaching the
scene . At that time the RSC had a way of doing things , whereby if you did well in
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THE ELIZABETHAN ACTOR
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