Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 185
... fact 79 in his 37 lines . It's a virtuoso display of the switch of pace between short and long vowels , and the switch between simple monosyllables and tortured complex images . It's an extraordinary speech , and you have to decide ...
... fact 79 in his 37 lines . It's a virtuoso display of the switch of pace between short and long vowels , and the switch between simple monosyllables and tortured complex images . It's an extraordinary speech , and you have to decide ...
Seite 186
... fact a Christ figure determined to sort things out as humble friar rather than resort to his divine authority . It may be that he decides on a teaching role , to show Isabella , Claudio and Angelo how things can be resolved by active ...
... fact a Christ figure determined to sort things out as humble friar rather than resort to his divine authority . It may be that he decides on a teaching role , to show Isabella , Claudio and Angelo how things can be resolved by active ...
Seite 244
... fact . I think you'll agree that courage is one of the gifts of young actors - well , nerve really . Peter used to say that the duration of the pause would vary in length according to how well I'd earned it . Imagine him trusting me ...
... fact . I think you'll agree that courage is one of the gifts of young actors - well , nerve really . Peter used to say that the duration of the pause would vary in length according to how well I'd earned it . Imagine him trusting me ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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