Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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He needs the research to feel absolutely confident that he has the right to play
the part . o Gambon ' s line is simpler : ' I don ' t do research . ? Of course no
amount of research on where our character went to school and what he had for ...
... his character – from perishing in the process . " Many actors feel , as Susan
Brown puts it , ' as if there are two of us , the character and I , walking beside each
other , then overlapping , and then if possible fusing , like a double image coming
To be a tactful leader and ensure that everybody feels they are working towards
the same end . ... Shakespeare productions are usually given extra weeks of
rehearsal so that we can examine the detail and not feel that we have to reach ...
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THE ELIZABETHAN ACTOR
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