Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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Then , indeed , you will feel almost irrelevant , a receptacle , a conduit , because
the character will start to follow his own instincts and have his own life , just as he
did when he first came flowing out of the author ' s pen . " 53 But don ' t fall into ...
Shakespeare had this extraordinary ability to release his imagination into the
language and the action of the scene . We need somehow to follow suit . A
choreographer once defined dance as ' the decisions the dancer makes as the
I now think I spend most of my time in rehearsal ( at least with Shakespeare )
trying to clarify the sequence of thoughts , trusting that the emotional life of the
character will follow . And , as you say , it ' s harder than it sounds . Very often ( at
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THE ELIZABETHAN ACTOR
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