Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
Im Buch
Ergebnisse 1-3 von 20
Seite 35
... ( 3.1.40-44 ) The first three lines are enjambments , though they drive to- wards ' wish ' , ' cause ' , and ' virtues ' . " To both your honours ' could follow a slight hesitation ( the preceding comma is in THE STRUCTURE OF THE VERSE 35.
... ( 3.1.40-44 ) The first three lines are enjambments , though they drive to- wards ' wish ' , ' cause ' , and ' virtues ' . " To both your honours ' could follow a slight hesitation ( the preceding comma is in THE STRUCTURE OF THE VERSE 35.
Seite 142
... follow his own instincts and have his own life , just as he did when he first came flowing out of the author's pen . ' 953 But don't fall into the trap of thinking in that case I can just play myself . Peter Brook warns , ' the worst ...
... follow his own instincts and have his own life , just as he did when he first came flowing out of the author's pen . ' 953 But don't fall into the trap of thinking in that case I can just play myself . Peter Brook warns , ' the worst ...
Seite 235
... follow . For the most part it follows , but especially in extreme cases like Leontes in The Winter's Tale - not always . - You have the ability - I think to an extraordinary degree - to present a line with great clarity and significance ...
... follow . For the most part it follows , but especially in extreme cases like Leontes in The Winter's Tale - not always . - You have the ability - I think to an extraordinary degree - to present a line with great clarity and significance ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
63 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote