Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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Are we trying to realise the visions which the text has invoked in our imagination ,
or are we simply out to surprise the audience by the novelty of our ideas ? Did
Shakespeare intend Henry V to be a national hero , or did he secretly see him as
Roger and I conceived the idea of writing a children ' s book ( alas never finished
) about a theatre mouse who longed to go on the stage and took the name of '
Dormouse Valour ' . As we worked on the idea , so each evening the line began
15 - 24 ) Stephen Boxer told me that the director John Dexter used to demand
that you brought at least one new idea into each rehearsal , and he would then
say , ' Don ' t talk about it , show me it . ' Demonstration was always the key .
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THE ELIZABETHAN ACTOR
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