Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
Ergebnisse 1-3 von 32
IMAGINATION , ENERGY , INTERPLAY AND ENJOYMENT What is the most
important muscle in the body ? ... It may seem unnecessary emphasising the
imagination to actors , since we spend our working lives imagining ourselves to
the shapes which Shakespeare ' s imagination conjures up . It ' s partly a matter
of the language ; not just a response to the words , but to the ideas . Can you see
pity as a ' naked new - born babe striding the blast ' , rage as ' tiger - footed ' ...
14 IMAGINATION , ENERGY AND INTERPLAY Plays in the theatre communicate
at a deeper level than words and actions , what Brook calls ' the vibration of a
great potential force ' . It must be one of the reasons Shakespeare means so
Was andere dazu sagen - Rezension schreiben
THE ELIZABETHAN ACTOR
31 weitere Abschnitte werden nicht angezeigt.