Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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decided by the first day of rehearsal , and that casting is the most important part of
the director ' s job . Sometimes their choices can seem recklessly bizarre .
Interplay between actors is so important in Shakespeare that miscasting can
It ' s important to discover what doesn ' t work : discarding unhelpful choices is a
way of narrowing down the possibilities . It ' s also important to identify our
strengths and weaknesses . My first director , Peter Dews , used to shout at me in
Shakespeare ' s lack of interest in backstory and its importance to modern actors
has already been discussed ( see pp . 64 - 5 ) . Stanislavsky has important things
to say about the relationship between the construct of a character and the actor ...
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THE ELIZABETHAN ACTOR
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