Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 73
... important to Elizabethans than to our own society . One of the first questions the actor Maggie Steed asked when approaching Much Ado About Nothing was how does Leonato's household operate and what is Beatrice's place in it ...
... important to Elizabethans than to our own society . One of the first questions the actor Maggie Steed asked when approaching Much Ado About Nothing was how does Leonato's household operate and what is Beatrice's place in it ...
Seite 77
... important part of the director's job . Sometimes their choices can seem recklessly bizarre . Interplay between actors is so important in Shakespeare that miscasting can fatally undermine a produc- tion's balance . However good you are ...
... important part of the director's job . Sometimes their choices can seem recklessly bizarre . Interplay between actors is so important in Shakespeare that miscasting can fatally undermine a produc- tion's balance . However good you are ...
Seite 88
... important to discover what doesn't work : discarding unhelpful choices is a way of narrowing down the possibilities . It's also important to identify our strengths and weaknesses . My first director , Peter Dews , used to shout at me in ...
... important to discover what doesn't work : discarding unhelpful choices is a way of narrowing down the possibilities . It's also important to identify our strengths and weaknesses . My first director , Peter Dews , used to shout at me in ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote