Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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As Kenneth Branagh said , ' If I was continually running out of breath at the end of
a particular line , it was more to do with not having the character ' s thought and
intention clear than insufficient intake of breath . If I could find out why I was ...
Was this always her intention , or is it a new thought ? She has moved a long way
from her headline , ' I seek death . In any such speech there is a succession of
arcs – the antithetical words , the caesura and the driving towards the end of the ...
But in order to inhabit the role the actor does have to make certain choices : to
resolve the Duke ' s intentions in leaving his rule to ... Basic intention ( to discover
and show the balance of terror and love in government ) is coupled with farcical ...
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THE ELIZABETHAN ACTOR
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