Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 11
... later , there were dozens of out - of - work actors hanging round London waiting for ill - paid summer tours . REHEARSAL Rehearsal took place in the morning ( probably 9 a.m. to noon ) , performance in the afternoon ( 2 to 5 p.m. ) ...
... later , there were dozens of out - of - work actors hanging round London waiting for ill - paid summer tours . REHEARSAL Rehearsal took place in the morning ( probably 9 a.m. to noon ) , performance in the afternoon ( 2 to 5 p.m. ) ...
Seite 13
... later plays with certain actors in mind , but much of his direction was already written into the text ( see pp . 94-6 ) . Authors weren't the play's principal selling point : deaths , mad- ness , royalty and comedy held greater ...
... later plays with certain actors in mind , but much of his direction was already written into the text ( see pp . 94-6 ) . Authors weren't the play's principal selling point : deaths , mad- ness , royalty and comedy held greater ...
Seite 186
... later refers to his ' power divine ' ) , is in fact a Christ figure determined to sort things out as a humble friar rather than resort to his divine authority . It may be that he decides on a teaching role , to show Isabella , Claudio ...
... later refers to his ' power divine ' ) , is in fact a Christ figure determined to sort things out as a humble friar rather than resort to his divine authority . It may be that he decides on a teaching role , to show Isabella , Claudio ...
Inhalt
THE ELIZABETHAN ACTOR | 3 |
PERFORMANCE | 5 |
ΙΟ | 10 |
Urheberrecht | |
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