Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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Shakespeare very likely wrote his later plays with certain actors in mind , but
much of his direction was already written into the text ( see pp . 94 - 6 ) . Authors
weren ' t the play ' s principal selling point : deaths , madness , royalty and
It can forestall argument and later disappointment ( as an uncut part may be
hacked a week before opening ) , but it will mean that the director has already
made important choices and begun to shape a concept . Check what cuts have
It ' s possible that the Duke , as God ' s deputy on earth ( Angelo later refers to his
' power divine ' ) , is in fact a Christ figure determined to sort things out as a
humble friar rather than resort to his divine authority . It may be that he decides on
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THE ELIZABETHAN ACTOR
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