Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 11
... later , there were dozens of out - of - work actors hanging round London waiting for ill - paid summer tours . REHEARSAL Rehearsal took place in the morning ( probably 9 a.m. to noon ) , performance in the afternoon ( 2 to 5 p.m. ) ...
... later , there were dozens of out - of - work actors hanging round London waiting for ill - paid summer tours . REHEARSAL Rehearsal took place in the morning ( probably 9 a.m. to noon ) , performance in the afternoon ( 2 to 5 p.m. ) ...
Seite 13
... later plays with certain actors in mind , but much of his direction was already written into the text ( see pp . 94-6 ) . Authors weren't the play's principal selling point : deaths , mad- ness , royalty and comedy held greater ...
... later plays with certain actors in mind , but much of his direction was already written into the text ( see pp . 94-6 ) . Authors weren't the play's principal selling point : deaths , mad- ness , royalty and comedy held greater ...
Seite 186
... later refers to his ' power divine ' ) , is in fact a Christ figure determined to sort things out as humble friar rather than resort to his divine authority . It may be that he decides on a teaching role , to show Isabella , Claudio and ...
... later refers to his ' power divine ' ) , is in fact a Christ figure determined to sort things out as humble friar rather than resort to his divine authority . It may be that he decides on a teaching role , to show Isabella , Claudio and ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote