Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 65
... least once in the past , this may feed our imaginations but we can't rely on its feeding the audience's . On the whole audiences accept Shakespeare's point of departure . The two cases that seem to have caused the most perplexity are ...
... least once in the past , this may feed our imaginations but we can't rely on its feeding the audience's . On the whole audiences accept Shakespeare's point of departure . The two cases that seem to have caused the most perplexity are ...
Seite 148
... least one new idea into each rehearsal , and he would then say , ' Don't talk about it , show me it . ' Demonstration was always the key . Stephen said what was remarkable was that if you had one idea and it worked , the knock - on ...
... least one new idea into each rehearsal , and he would then say , ' Don't talk about it , show me it . ' Demonstration was always the key . Stephen said what was remarkable was that if you had one idea and it worked , the knock - on ...
Seite 235
... least with Shakespeare ) trying to clarify the sequence of thoughts , trusting that the emotional life of the character will follow . And , as you say , it's harder than it sounds . Very often ( at least with Shake- speare ) , it is a ...
... least with Shakespeare ) trying to clarify the sequence of thoughts , trusting that the emotional life of the character will follow . And , as you say , it's harder than it sounds . Very often ( at least with Shake- speare ) , it is a ...
Inhalt
THE ELIZABETHAN ACTOR | 3 |
PERFORMANCE | 5 |
ΙΟ | 10 |
Urheberrecht | |
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