Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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Though clearly marked in Henry V by the Chorus , no plays written for the Globe
before 1609 have act divisions , just scene breaks . It ' s the indoor Blackfriars
plays that have acts marked , providing four breaks for candle - trimming ( the ...
Heightened language has to be marked , without becoming overladen . As the
voice teacher Patsy Rodenburg writes : Actors have to engage fully with
language before it can engage an audience . They must be able to connect to ,
56 – 61 ) The folio places the start of all four speeches in the left margin . Most
editors reorder the text into pentameters , revealing that Shakespeare has
marked a clear pause before ' Your face , my thane ' , by omitting the last two feet
of Lady ...
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THE ELIZABETHAN ACTOR
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