Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 78
... mind ' . Not every director , however , has thought it possible to deter- mine what was in Shakespeare's mind . Jonathan Miller argues success is ' rated not by the degree to which the performance approximates to an entirely unknowable ...
... mind ' . Not every director , however , has thought it possible to deter- mine what was in Shakespeare's mind . Jonathan Miller argues success is ' rated not by the degree to which the performance approximates to an entirely unknowable ...
Seite 154
... mind , keep focused , and remember : relaxation is your biggest ally . Above all , don't be dominated by remembering the lines : if the work has been done , the words are securely there . The only way we're going to forget them is by ...
... mind , keep focused , and remember : relaxation is your biggest ally . Above all , don't be dominated by remembering the lines : if the work has been done , the words are securely there . The only way we're going to forget them is by ...
Seite 254
... mind . She says , ' But can you if you would ? ' , and he replies , ' Look , what I will not , that I cannot do ' ; to which she answers , ' But might you do't ? ' etc. And she has a special relationship to all those verbs – can ...
... mind . She says , ' But can you if you would ? ' , and he replies , ' Look , what I will not , that I cannot do ' ; to which she answers , ' But might you do't ? ' etc. And she has a special relationship to all those verbs – can ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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