Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 4
... moral struggle that greatly influenced Elizabethan playwrights . These early Tudor household players were at first part - timers , with other household and musical duties . Gradually they formed more independent groups , touring a great ...
... moral struggle that greatly influenced Elizabethan playwrights . These early Tudor household players were at first part - timers , with other household and musical duties . Gradually they formed more independent groups , touring a great ...
Seite 93
... moral law that keeps us fenced in . If we try to respond to and communicate every single idea there , the audience would be punch - drunk and the play would last four hours . - At the same time the verse should sound natural LANGUAGE 93.
... moral law that keeps us fenced in . If we try to respond to and communicate every single idea there , the audience would be punch - drunk and the play would last four hours . - At the same time the verse should sound natural LANGUAGE 93.
Seite 225
... moral quandaries . But he investigates women in the comedies . Yes , women do tend to dominate in his love stories , though in the case of Portia it's often gone down as Shylock's play because , even though he's not at the centre ...
... moral quandaries . But he investigates women in the comedies . Yes , women do tend to dominate in his love stories , though in the case of Portia it's often gone down as Shylock's play because , even though he's not at the centre ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote