Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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Juliet ' s speech above is also a regular example : I ' ll look to like , if looking liking
move ; But no more deep will I endart mine eye Than your consent gives strength
to make it fly . The syllables we would naturally stress – ' look ' , ' like ' , ' look .
Beatrice and Benedick speak in prose to one another until Claudio accuses Hero
of infidelity , then they move into verse as tragedy looms and revert to prose when
left alone . Troilus and Cressida declare their love for one another in verse ...
her beauty that she moves into verse , Olivia continues to tease her in prose , but
then she too goes into verse as she becomes more interested in him / her ... As
the guards become more eloquent and sarcastic they move the scene into prose .
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THE ELIZABETHAN ACTOR
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