Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 30
... move ; But no more deep will I endart mine eye Than your consent gives strength to make it fly . The syllables we would naturally stress - ' look ' , ' like ' , ' look ... ' . ' lik ... ' , ' move ' - are all second syllables ( DUM or ...
... move ; But no more deep will I endart mine eye Than your consent gives strength to make it fly . The syllables we would naturally stress - ' look ' , ' like ' , ' look ... ' . ' lik ... ' , ' move ' - are all second syllables ( DUM or ...
Seite 43
... move into verse as tragedy looms and revert to prose when left alone . Troilus and Cressida declare their love for ... moves into verse , Olivia continues PROSE INTO VERSE 43 Prose into Verse.
... move into verse as tragedy looms and revert to prose when left alone . Troilus and Cressida declare their love for ... moves into verse , Olivia continues PROSE INTO VERSE 43 Prose into Verse.
Seite 44
... moves them into prose . On Hamlet's exit Ophelia moves back into verse for her distraught but strangely formal ' O ... move the scene into prose . When Coriolanus enters , Menenius makes his plea in prose , but Coriolanus answers in ...
... moves them into prose . On Hamlet's exit Ophelia moves back into verse for her distraught but strangely formal ' O ... move the scene into prose . When Coriolanus enters , Menenius makes his plea in prose , but Coriolanus answers in ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote