Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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consistent criticism of actors brought by contemporaries , but they also
emphasise that each actor must develop his own individual style : ' no man can
put off his own and put on another ' s nature ' . 14 It seems agreed that actors ,
The end purpose of playing is “ to hold as ' twere the mirror up to nature ' . Clowns
should ' speak no more than is set down for them ' . This is all good advice , but it '
s clearly not a complete acting blueprint à la Stanislavsky . It does , however ...
I start with the text because that tells you so much about character , how they
speak , the way they use words gives you such clues to the nature of the person -
the way Rosaline speaks to Biron is not the same as the way she speaks to the ...
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THE ELIZABETHAN ACTOR
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