Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 9
... never in any doubt that they were in a theatre . The company shareholders became the owners ( ' house- holders ' ) of the Globe . English actors had never owned their own building before , and sadly never would again on the same ...
... never in any doubt that they were in a theatre . The company shareholders became the owners ( ' house- holders ' ) of the Globe . English actors had never owned their own building before , and sadly never would again on the same ...
Seite 67
... never be him . And since we're dealing with societies four hundred and more years ago , knowing the strange food he may have had for breakfast will be of little help . At the same time many actors feel impelled to dig around the facts ...
... never be him . And since we're dealing with societies four hundred and more years ago , knowing the strange food he may have had for breakfast will be of little help . At the same time many actors feel impelled to dig around the facts ...
Seite 200
... never could have done as a woman . Orsino then dwells on her youth and feminine quali- ties . Shakespeare had done this before to validate his boy actors and help the audience to accept them as female ( Mark Rylance , who has played ...
... never could have done as a woman . Orsino then dwells on her youth and feminine quali- ties . Shakespeare had done this before to validate his boy actors and help the audience to accept them as female ( Mark Rylance , who has played ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote