Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 61
... night And stol'n my love's heart from him ? ( A Midsummer Night's Dream , 3.2.283–5 ) ' O me ' ( Flat : you've taken my breath away ) , ' You . . . ' ( what words are bad enough for Helena ) ' juggler ' ( Shout : great tall sexy acrobat ) ...
... night And stol'n my love's heart from him ? ( A Midsummer Night's Dream , 3.2.283–5 ) ' O me ' ( Flat : you've taken my breath away ) , ' You . . . ' ( what words are bad enough for Helena ) ' juggler ' ( Shout : great tall sexy acrobat ) ...
Seite 82
... night is now with hymn or carol blessed . - ( A Midsummer Night's Dream , 2.1.101-2 ) ' Human mortals ' ( as opposed to fairy mortals ? ) sticks easily ; ' want their winter cheer ' and ' no night is now ' have a monosyllabic rhythm and ...
... night is now with hymn or carol blessed . - ( A Midsummer Night's Dream , 2.1.101-2 ) ' Human mortals ' ( as opposed to fairy mortals ? ) sticks easily ; ' want their winter cheer ' and ' no night is now ' have a monosyllabic rhythm and ...
Seite 156
... Night and As You Like It make the likely direction of the action clear . More important for the actor , the characters are conscious that they are about to take part in a story . When Romeo discovers Juliet is a Capulet , he immediately ...
... Night and As You Like It make the likely direction of the action clear . More important for the actor , the characters are conscious that they are about to take part in a story . When Romeo discovers Juliet is a Capulet , he immediately ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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