Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 22
... performance , though some act breaks were marked by music . It was normal practice , certainly before 1600 , to end the performance of both comedy and tragedy with a jig , played by the company clown and a few assistants . This was ...
... performance , though some act breaks were marked by music . It was normal practice , certainly before 1600 , to end the performance of both comedy and tragedy with a jig , played by the company clown and a few assistants . This was ...
Seite 154
... performance is , after all that rehearsal , inevitably very detailed . The director will probably now be plying us with small , but hopefully very telling , changes . One thing I discovered early on with the RSC is that there's no point ...
... performance is , after all that rehearsal , inevitably very detailed . The director will probably now be plying us with small , but hopefully very telling , changes . One thing I discovered early on with the RSC is that there's no point ...
Seite 266
... performance . Opposing views on actors ' approach to performance are taken by W.B. Worthen , Shakespeare and the Authority of Performance , Cambridge University Press , 1997 ; and Jonathan Holmes , Merely Players ? Actors ' Accounts of ...
... performance . Opposing views on actors ' approach to performance are taken by W.B. Worthen , Shakespeare and the Authority of Performance , Cambridge University Press , 1997 ; and Jonathan Holmes , Merely Players ? Actors ' Accounts of ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote