Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 13
... play's principal selling point : deaths , mad- ness , royalty and comedy held greater attraction for customers ... play ) , and may have given further in- struction during performance . At rehearsals and / or perform- ance , a ' platt ...
... play's principal selling point : deaths , mad- ness , royalty and comedy held greater attraction for customers ... play ) , and may have given further in- struction during performance . At rehearsals and / or perform- ance , a ' platt ...
Seite 66
... PLAY It is important at the outset to consider what FUNCTION a character has in a play , and for the actor to come to terms with it . With leading parts it is usually clear . Othello , Iago , Desde- mona and Cassio are central to the ...
... PLAY It is important at the outset to consider what FUNCTION a character has in a play , and for the actor to come to terms with it . With leading parts it is usually clear . Othello , Iago , Desde- mona and Cassio are central to the ...
Seite 77
... play Ophelia as an adolescent hysteric , or Laertes as a myopic guards officer . Some directors are anti - conceptual ... play's first meaning , but Brook argues that the director is not ' serving Shakespeare . There is only one service ...
... play Ophelia as an adolescent hysteric , or Laertes as a myopic guards officer . Some directors are anti - conceptual ... play's first meaning , but Brook argues that the director is not ' serving Shakespeare . There is only one service ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote