Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 66
... plot in her stealing of the handkerchief . Roderigo's attitudes cast light on both Iago and Desdemona , and he too becomes central to the plot in his botched attempt on Cassio's life . Montano and Gratiano , however , seem only to be ...
... plot in her stealing of the handkerchief . Roderigo's attitudes cast light on both Iago and Desdemona , and he too becomes central to the plot in his botched attempt on Cassio's life . Montano and Gratiano , however , seem only to be ...
Seite 75
... plot functionaries . As W.B. Worthen writes , ' Actorly reading is notably trained on questions of character , the integrated , self- present , internalised , psychologically motivated " character " of the dominant mode of modern ...
... plot functionaries . As W.B. Worthen writes , ' Actorly reading is notably trained on questions of character , the integrated , self- present , internalised , psychologically motivated " character " of the dominant mode of modern ...
Seite 155
... plot ' , then the play is a failure . This is of course true of any playwright - Waiting for Godot and The Cherry Orchard have plots , however carefully disguised . But the plotting of the action is central to Shakespeare's art : a ...
... plot ' , then the play is a failure . This is of course true of any playwright - Waiting for Godot and The Cherry Orchard have plots , however carefully disguised . But the plotting of the action is central to Shakespeare's art : a ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote