Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 22
... possible for Macbeth ( 2,100 lines ) and A Midsummer Night's Dream ( 2,120 lines ) , and even perhaps for a cut Romeo and Juliet ( 3,000 lines uncut : I've been in a production that did it in 2 hours 20 minutes ) . The quarto of Henry V ...
... possible for Macbeth ( 2,100 lines ) and A Midsummer Night's Dream ( 2,120 lines ) , and even perhaps for a cut Romeo and Juliet ( 3,000 lines uncut : I've been in a production that did it in 2 hours 20 minutes ) . The quarto of Henry V ...
Seite 79
... possible , and hope the hidden things come to life , the indefin- able stuff begins to flow ? Are we trying to recharge the play's first meaning , or are we reinterpreting what we think Shake- speare had at the back of his mind ? Are we ...
... possible , and hope the hidden things come to life , the indefin- able stuff begins to flow ? Are we trying to recharge the play's first meaning , or are we reinterpreting what we think Shake- speare had at the back of his mind ? Are we ...
Seite 150
... possible , rather than closing down avenues and constantly tidying up . But to be able to pull things together as performance looms . To be a tactful leader and ensure that everybody feels they are working towards the same end . To have ...
... possible , rather than closing down avenues and constantly tidying up . But to be able to pull things together as performance looms . To be a tactful leader and ensure that everybody feels they are working towards the same end . To have ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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