Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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BACKSTORY AND OMISSIONS Arthur Miller wrote that “ the biggest single
dramatic problem ' is " how to dramatise what has gone before ' . 4 Shakespeare
didn ' t see it that way . In many of his plays we have to accept a simple premise .
This won ' t be a problem to those who see this scene simply as a fairy - tale
prologue . ACT I , SCENE 4 A brief scene , with certain elements cut to the bone ,
as if Shakespeare wants to get on with the plot . Valentine gives us the
There may be other deeper motives than sexual jealousy , or lack of preferment ,
or a colour problem , or a class problem , but actually do we need to look any
further ? Have you addressed the audience during speeches , with other
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THE ELIZABETHAN ACTOR
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