Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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In his ' To be or not to be ' soliloquy , Hamlet is driving towards the final words , '
question ' , ' suffer ' , ' fortune ' , ' troubles ' , ' sleep ' , ' end ' , ' shocks ' , '
consummation ' , etc . GERTRUDE And for your part , Ophelia , I do wish That
your good ...
Lear ' s five ' never ' s , Hamlet ' s three ' words ' , Macbeth ' s three “ tomorrow ' s
make us question and re - evaluate . Sometimes the actor tries to play one or
more repetition differently , sometimes the bald monotony is more telling .
This is a very serious admission . The Renaissance believed that a ruler should
never be too merciful to enforce the law properly . The friar finally gets a word in ,
with the key question – why hasn ' t he unloosed ' this tied - up justice ' himself ?
Was andere dazu sagen - Rezension schreiben
THE ELIZABETHAN ACTOR
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