Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
Ergebnisse 1-3 von 79
My first director , Peter Dews , used to shout at me in rehearsal : ' Stop thinking it ,
just do it ! So if you find analysis comes easily , concentrate on instinct ; and
similarly with assertiveness and vulnerability , irony and emotional commitment ,
15 - 24 ) Stephen Boxer told me that the director John Dexter used to demand
that you brought at least one new idea into each rehearsal , and he would then
say , ' Don ' t talk about it , show me it . ' Demonstration was always the key .
CONCLUSION Rehearsal is the time to examine all the aspects we ' ve covered :
the language , shaping the story ... Shakespeare productions are usually given
extra weeks of rehearsal so that we can examine the detail and not feel that we ...
Was andere dazu sagen - Rezension schreiben
THE ELIZABETHAN ACTOR
31 weitere Abschnitte werden nicht angezeigt.