Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 38
... RHYME The Elizabethan love of RHYME is something we find particularly hard to embrace . 66 per cent of the verse in Love's Labour's Lost is rhymed , and Shakespeare even jokes at his own expense : BIRON When shall you see me write a ...
... RHYME The Elizabethan love of RHYME is something we find particularly hard to embrace . 66 per cent of the verse in Love's Labour's Lost is rhymed , and Shakespeare even jokes at his own expense : BIRON When shall you see me write a ...
Seite 39
... rhyme knowingly , as does Orsino in lighter vein , and the rhyme can be hit quite hard . The lovers in the Dream are partly conscious of role - playing in their protestations , though the rhyme should be touched on quite lightly or it ...
... rhyme knowingly , as does Orsino in lighter vein , and the rhyme can be hit quite hard . The lovers in the Dream are partly conscious of role - playing in their protestations , though the rhyme should be touched on quite lightly or it ...
Seite 249
... rhyme artists they hide the meaning of the lines while syncopating the beat and hitting the rhymes as they go . It's helped me find a modern rhythm for the expression of some of the characters . Working with students I've found that ...
... rhyme artists they hide the meaning of the lines while syncopating the beat and hitting the rhymes as they go . It's helped me find a modern rhythm for the expression of some of the characters . Working with students I've found that ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote