Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
Im Buch
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Seite 141
... role - playing : they constantly use words such as ' act ' , ' perform ' , ' part ' , ' play ' , ' scene ' , and ' tragedy ' . It was an Elizabethan obsession . The Queen was said to be a princess who ' can act any part she pleases ...
... role - playing : they constantly use words such as ' act ' , ' perform ' , ' part ' , ' play ' , ' scene ' , and ' tragedy ' . It was an Elizabethan obsession . The Queen was said to be a princess who ' can act any part she pleases ...
Seite 186
... role , to show Isabella , Claudio and Angelo how things can be resolved by active virtue . He may relish the idea that instead of cracking the whip as a ruler he can sort everything out as an ordinary man . He may simply delight in the ...
... role , to show Isabella , Claudio and Angelo how things can be resolved by active virtue . He may relish the idea that instead of cracking the whip as a ruler he can sort everything out as an ordinary man . He may simply delight in the ...
Seite
... roles for the RSC and the National Theatre as well as appearing frequently on film and television . He is also the author of Playing Lear , an account of performing the role in an acclaimed production at the Almeida Theatre , London ...
... roles for the RSC and the National Theatre as well as appearing frequently on film and television . He is also the author of Playing Lear , an account of performing the role in an acclaimed production at the Almeida Theatre , London ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote