Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 87
... scene ... It's not a rigid plaster cast that will encap- sulate the scene forever , but rather a first - stage rocket to fall away once the scene has been launched into orbit.1 Eventually you will have to get to your feet . The director ...
... scene ... It's not a rigid plaster cast that will encap- sulate the scene forever , but rather a first - stage rocket to fall away once the scene has been launched into orbit.1 Eventually you will have to get to your feet . The director ...
Seite 191
... scene there to build up the Duke's entrance , or to introduce Friar Peter , who's going to be needed in Act 5 to accompany Isabella and speak in ' Friar Lodowick's ' defence ? ACT 5 , SCENE I At 532 lines this is the second longest last ...
... scene there to build up the Duke's entrance , or to introduce Friar Peter , who's going to be needed in Act 5 to accompany Isabella and speak in ' Friar Lodowick's ' defence ? ACT 5 , SCENE I At 532 lines this is the second longest last ...
Seite 199
... scene simply as a fairy - tale prologue . ACT I , SCENE 4 A brief scene , with certain elements cut to the bone , as if Shakespeare wants to get on with the plot . Valentine gives us the information that Viola has now chosen to be a ...
... scene simply as a fairy - tale prologue . ACT I , SCENE 4 A brief scene , with certain elements cut to the bone , as if Shakespeare wants to get on with the plot . Valentine gives us the information that Viola has now chosen to be a ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote