Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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It ' s the marrying of contrast and the enjoyment of changes and rhythm . " SHAPE
Each play , scene and speech contains a story , and the actor needs to find the
SHAPE of that story . Most speeches have a headline prompted by the previous ...
you can pull the shape about . You might decide on different turning points , or
that each scene has more than one turning point . The vital thing is to observe the
conflict both between and within the characters . Ophelia doesn ' t want to return ...
Because it ' s not a logical , lawyerlike defence of assassination , the shape of the
speech may not be clear at first sight , but there is a shape to be found .
Shakespeare is inside the mind of the Brutus he has imagined , and is
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THE ELIZABETHAN ACTOR
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