Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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The beat of the line can sometimes produce unfamiliar stresses ; ' - ed ' being the
commonest example . Count the number of syllables . If there are ten , as in
Othello ' s ' I saw ' t not , thought it not , it harmed not me ' , then ' harmed ' is one ...
102 REHEARSAL out of recoleft alone areak direct re didn ' t d it almos character
haracters , lking to vides to speak out who is the character adpeare sometimes
car , Juliet to is the cha Shakespie murdeined ( tho his far force to camerious ...
There was a Buddhist - like element to the piece , whereby the deaths were
purified and distilled . Peter wanted to see someone who was full of life having
the life drained away from him . Sometimes I thought it worked brilliantly ,
sometimes I ...
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THE ELIZABETHAN ACTOR
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