Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 7
... success of Hamlet was partly due to the author keeping an eye on everything on stage as the Ghost , Polonius or the Gravedigger- or possibly all three ? THE THEATRES The Red Lion ( 1567 ) in Stepney is the first recorded London theatre ...
... success of Hamlet was partly due to the author keeping an eye on everything on stage as the Ghost , Polonius or the Gravedigger- or possibly all three ? THE THEATRES The Red Lion ( 1567 ) in Stepney is the first recorded London theatre ...
Seite 8
... success . Using knowledge gained at the Theatre and the Rose , the company devised an extremely flexible space . The outer walls were probably hexagonal , about 100 feet in diameter and 36 feet high . The inner walls afforded a depth of ...
... success . Using knowledge gained at the Theatre and the Rose , the company devised an extremely flexible space . The outer walls were probably hexagonal , about 100 feet in diameter and 36 feet high . The inner walls afforded a depth of ...
Seite 115
... success of late . It's striking how well the great tragedies , written for the Globe , work in an intimate dimension , and how much of the text can be delivered in a conversational tone . Our present generation's drive to make the ...
... success of late . It's striking how well the great tragedies , written for the Globe , work in an intimate dimension , and how much of the text can be delivered in a conversational tone . Our present generation's drive to make the ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote