Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
Im Buch
Ergebnisse 1-3 von 14
Seite 102
... talking directly to the audience , talking to herself , or talking with some acknowledgement that the audi- ence are overhearers . The choice doesn't have to be absolute , it's possible to pass back and forth among them . When it's ...
... talking directly to the audience , talking to herself , or talking with some acknowledgement that the audi- ence are overhearers . The choice doesn't have to be absolute , it's possible to pass back and forth among them . When it's ...
Seite 220
... talking to in a soliloquy ? I would like at one point during the performance to look at every single member of the audience , and when I was at The Other Place [ the RSC's studio theatre in Stratford ] I made sure that I consciously did ...
... talking to in a soliloquy ? I would like at one point during the performance to look at every single member of the audience , and when I was at The Other Place [ the RSC's studio theatre in Stratford ] I made sure that I consciously did ...
Seite 246
... talking to the audience in the soliloquies ? Completely . I find it difficult to do soliloquies unless I am look- ing at someone and see face . Sometimes I would ask for the house lights to be touched up a few points so that I could see ...
... talking to the audience in the soliloquies ? Completely . I find it difficult to do soliloquies unless I am look- ing at someone and see face . Sometimes I would ask for the house lights to be touched up a few points so that I could see ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
63 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote