Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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Who is the character alone on stage talking to ? There are various possibilities .
Shakespeare sometimes provides a person , Mark Antony talking to the
murdered Caesar , Juliet to the absent Romeo , Malvolio to the imagined ( though
in fact ...
The speech becomes just about us and our feelings , not what we ' re talking
about . But be not too tame neither : if the character is not moved by this crisis in
his life then the audience won ' t be either . As Peter Hall says : Here is the
How much did you feel you were talking to the audience in the soliloquies ?
Completely . I find it difficult to do soliloquies unless I am looking at someone and
see a face . Sometimes I would ask for the house lights to be touched up a few ...
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THE ELIZABETHAN ACTOR
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