Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 4
... theatrical tradition emerged after 1500 , rooted in the emerging tide of humanism . These ' interludes ' were classically inspired allegories like John Skelton's Magnificence ( 1515-18 ) or romantic comedies such as Nicholas Udall's ...
... theatrical tradition emerged after 1500 , rooted in the emerging tide of humanism . These ' interludes ' were classically inspired allegories like John Skelton's Magnificence ( 1515-18 ) or romantic comedies such as Nicholas Udall's ...
Seite 5
... theatrical talent must have been nurtured somewhere . THE ACTORS We have the names of nearly a thousand actors between 1560 and 1640. Where did they all come from ? Some were enter- tainers - minstrels , jugglers , tumblers like Richard ...
... theatrical talent must have been nurtured somewhere . THE ACTORS We have the names of nearly a thousand actors between 1560 and 1640. Where did they all come from ? Some were enter- tainers - minstrels , jugglers , tumblers like Richard ...
Seite 136
... theatrical performances , though the hour - long Forbes- Robertson's Hamlet ( 1913 ) shows an impressive degree of natur- alism . There were various Hollywood spectaculars in the 1930s , including Max Reinhardt's A Midsummer Night's ...
... theatrical performances , though the hour - long Forbes- Robertson's Hamlet ( 1913 ) shows an impressive degree of natur- alism . There were various Hollywood spectaculars in the 1930s , including Max Reinhardt's A Midsummer Night's ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote