Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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You might decide on different turning points , or that each scene has more than
one turning point . ... In turn the whole play has a shape and structure . ... The
turning point is perhaps his going out into the storm with ' O fool I shall go mad ' .
Whereto the climber - upward turns his face ; But when he once attains the
upmost round , He then unto the ladder ... his emotions rule him in the past , but
when the humble achieve their ambition they often turn their back on their former
Just because things turn out badly doesn ' t mean your character isn ' t confident
of success . ... Turning points and reversals are the stuff of drama : how late do
lago , Edmund , Lady Macbeth , Antony and Cleopatra realise the game is up ?
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THE ELIZABETHAN ACTOR
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