Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 101
... turning points , or that each scene has more than one turning point . The vital thing is to observe the conflict both ... turn the whole play has a shape and structure . Lear abdicates and is driven out into the open air , in his madness ...
... turning points , or that each scene has more than one turning point . The vital thing is to observe the conflict both ... turn the whole play has a shape and structure . Lear abdicates and is driven out into the open air , in his madness ...
Seite 104
... turn their back on their former state . This may prove true of Caesar , and in case it does we'd better kill him . The snag is that he hasn't shown any sign of it yet , so we'd better argue that his nature is such that given the crown ...
... turn their back on their former state . This may prove true of Caesar , and in case it does we'd better kill him . The snag is that he hasn't shown any sign of it yet , so we'd better argue that his nature is such that given the crown ...
Seite 144
... turn out badly doesn't mean your character isn't confident of success . Claudius may think he's going to get away ... Turning points and reversals are the stuff of drama : how late do Iago , Edmund , Lady Macbeth , Antony and Cleopatra ...
... turn out badly doesn't mean your character isn't confident of success . Claudius may think he's going to get away ... Turning points and reversals are the stuff of drama : how late do Iago , Edmund , Lady Macbeth , Antony and Cleopatra ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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