Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 27
... understand that ' deed ' implies enterprise , or even murder . Such obscurities can be serious problems , but take heart on two counts . First , it isn't just our generation that is puzzled : Elizabethan audiences must have found such ...
... understand that ' deed ' implies enterprise , or even murder . Such obscurities can be serious problems , but take heart on two counts . First , it isn't just our generation that is puzzled : Elizabethan audiences must have found such ...
Seite 28
... understand quite sophisticated wordplay simply by listening . The actor's first job is of course to understand what is being said . For this we need the help of a text with good footnotes and glossary . This in turn should lead to an ...
... understand quite sophisticated wordplay simply by listening . The actor's first job is of course to understand what is being said . For this we need the help of a text with good footnotes and glossary . This in turn should lead to an ...
Seite 116
... understand things [ about Shakespeare ] which Shakespeare did not understand himself'.22 When Hamlet says , ' I do not know / Why yet I live to say " This thing's to do " , I always feel that Shakespeare doesn't know either . He might ...
... understand things [ about Shakespeare ] which Shakespeare did not understand himself'.22 When Hamlet says , ' I do not know / Why yet I live to say " This thing's to do " , I always feel that Shakespeare doesn't know either . He might ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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