Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
Ergebnisse 1-3 von 30
10 VOICE , GESTURE AND ACCENT The Elizabethans had a strong belief in
truthful acting ; ' lively and naturally were the watchwords . The player who “
affects grossly ' is ' so far forced from life ' that he betrays himself “ to be altogether
VOICE AND SONNETS It ' s important to get the voice into shape . We may have
to do seven hours ' rehearsal in a day , going over and over long scenes , and the
voice needs to be able to cope . So get used to warming the voice up each day ...
VOICE AND MOVEMENT The actor ' s instrument is his voice and body , and
these have to be kept in shape during rehearsal . In most Shakespeare
rehearsals some attention is given to voice and movement sessions . If they ' re
not provided ...
Was andere dazu sagen - Rezension schreiben
THE ELIZABETHAN ACTOR
31 weitere Abschnitte werden nicht angezeigt.