Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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Peter Stein Dehearsal is for me the most interesting part of the whole N process ,
though not necessarily the most enjoyable - that can come in performance .
Actors approach rehearsal in very different states . Some will have thought about
There are always two energies at work in Shakespeare ' s speeches : the energy
of the whole thought , and the energy of the individual phrases . If passion and
temperance , phrase and sentence , have to be kept in balance , her summation
But I have moved increasingly towards working moment to moment , and trusting
that the whole journey will reveal itself anyway . At any one moment on stage you
know the whole terrain of the play , behind and in front , but all your focus lies ...
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THE ELIZABETHAN ACTOR
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