Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite xiii
... writers and critics have raised in recent years . It concentrates on acting Shakespeare's text , while not denying ... writing is the absence of any book by an actor on the whole wide range of performing in Shakespeare . As an actor I ...
... writers and critics have raised in recent years . It concentrates on acting Shakespeare's text , while not denying ... writing is the absence of any book by an actor on the whole wide range of performing in Shakespeare . As an actor I ...
Seite 9
... writing specifically for this space , which imposed itself on both the writing and the performance of the plays . His stage directions make it clear that the scene was both the prescribed location and the Globe . The audience were never ...
... writing specifically for this space , which imposed itself on both the writing and the performance of the plays . His stage directions make it clear that the scene was both the prescribed location and the Globe . The audience were never ...
Seite 116
... writers are two people , if not more : their art grows out of the splits in their personalities ' ( John Carey ) . This is as true of Shakespeare as it is of Chekhov or Dickens . What finally are we to make of Cleopatra or Othello ...
... writers are two people , if not more : their art grows out of the splits in their personalities ' ( John Carey ) . This is as true of Shakespeare as it is of Chekhov or Dickens . What finally are we to make of Cleopatra or Othello ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
63 weitere Abschnitte werden nicht angezeigt.
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