Shakspeare's Dramatic Art: And His Relation to Calderon and GoetheChapman, 1846 - 554 Seiten |
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Seite 2
... sense ; which , however , as pieces of art , were extremely rude . These scenic repre- sentations were given , from the very first , not only in the halls and chapels of cloisters , but also in churches , and occasionally also in the ...
... sense ; which , however , as pieces of art , were extremely rude . These scenic repre- sentations were given , from the very first , not only in the halls and chapels of cloisters , but also in churches , and occasionally also in the ...
Seite 9
... sense was their sole end , and the represented personages were purely allegorical . Generally the number of the principal parts was limited to four or five , since the King's company of players consisted only of four members ; and when ...
... sense was their sole end , and the represented personages were purely allegorical . Generally the number of the principal parts was limited to four or five , since the King's company of players consisted only of four members ; and when ...
Seite 14
... sense of the term , the Birth of the Drama . After the Moralities and Interludes had fallen gra- dually into disrepute , the taste of the educated classes , as well as the talents of authors , were directed for the most part to comedies ...
... sense of the term , the Birth of the Drama . After the Moralities and Interludes had fallen gra- dually into disrepute , the taste of the educated classes , as well as the talents of authors , were directed for the most part to comedies ...
Seite 20
... sense of artistic form and construction , and of true dramatic development . On the other hand , it was fortunate that the effect of these essays was not greater and more extensive ; that they appeared too early , and were too poor and ...
... sense of artistic form and construction , and of true dramatic development . On the other hand , it was fortunate that the effect of these essays was not greater and more extensive ; that they appeared too early , and were too poor and ...
Seite 37
... a profounder , more vigorous , and better sustained characterisation , and a more innate sense of nature and propriety , against both of which Greene too frequently offended . The piece which he ENGLISH DRAMA , BEFORE SHAKSPEARE . 37.
... a profounder , more vigorous , and better sustained characterisation , and a more innate sense of nature and propriety , against both of which Greene too frequently offended . The piece which he ENGLISH DRAMA , BEFORE SHAKSPEARE . 37.
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Häufige Begriffe und Wortgruppen
Accordingly action æsthetical already ancient appears artistic beauty Ben Jonson Calderon caprice character Christian circumstances Collier comedy comic view composition consequently Coriolanus critics Cymbeline death divine doubt Drake earthly English epical evil exhibited existence external fact Falstaff fancy feeling fundamental idea genius Gentlemen of Verona genuine Goethe Goethe's grace ground-idea Hamlet hand Henry the Sixth historical drama honour human Humanum Genus humour inmost intrinsic Jonson Julius Cæsar justice King language Lastly latter less Locrine lyrical Macbeth Malone merely mind moral nature necessity nevertheless noble objective organic Othello outward passion Pericles personages piece play poem poesy poet poetical poetry possess present Prince principle profound racter reign Romeo Romeo and Juliet satire scene Shak Shakspeare Shakspeare's sonnets spirit subjective thought Tieck tion Titus Andronicus tragedy tragic Troilus and Cressida true truth unity view of things virtue weakness whole Winter's Tale
Beliebte Passagen
Seite 94 - Your name from hence immortal life shall have, Though I, once gone, to all the world must die. The earth can yield me but a common grave. When you entombed in men's eyes shall lie. Your monument shall be my gentle verse, Which eyes not yet created shall o'er-read. And tongues to be your being shall rehearse When all the breathers of this world are dead. You still shall live — such virtue hath my pen — Where breath most breathes, even in the mouths of men.
Seite 311 - Alas ! alas ! Why, all the souls that were, were forfeit once; And He that might the vantage best have took, Found out the remedy: How would you be, If he, which is the top of judgment, should But judge you as you are? O, think on that; And mercy then will breathe within your lips, Like man new made.
Seite 114 - Two loves I have, of comfort and despair, Which, like two spirits, do suggest me still: The better angel is a man right fair, The worser spirit a woman coloured ill. To win me soon to hell my female evil Tempteth my better angel from my side, And would corrupt my saint to be a devil, Wooing his purity with her foul pride...
Seite 94 - Tired with all these, for restful death I cry, As, to behold desert a beggar born, And needy nothing trimm'd in jollity...
Seite 113 - ... prescriptions are not kept, Hath left me, and I desperate now approve Desire is death, which physic did except. Past cure I am, now reason is past care, And...
Seite 312 - His glassy essence, — like an angry ape, Plays such fantastic tricks before high Heaven, As make the angels weep : who, with our spleens, Would all themselves laugh mortal.
Seite 425 - Yes, trust them not; for there is an upstart crow, beautified with our feathers, that, with his Tygers heart wrapt in a Players hide, supposes he is as well able to bumbast out a blanke verse as the best of you; and being an absolute Johannes Factotum, is in his owne conceit the onely Shake-scene in a countrie.
Seite 306 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Seite 114 - And whether that my angel be turn'd fiend Suspect I may, yet not directly tell; But being both from me, both to each friend, I guess one angel in another's hell: Yet this shall I ne'er know, but live in doubt, Till my bad angel fire my good one out.
Seite 306 - Tis mightiest in the mightiest ; it becomes The throned monarch better than his crown. His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings ; But mercy is above this sceptred sway, It is enthroned in the hearts of kings ; It is an attribute to God himself ; And earthly power doth then shew likest God's, When mercy seasons justice.