CR. The Centennial Review, Band 21Michigan State University, College of Arts & Letters, 1977 |
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Seite 83
... follow it to its source ( “ but that writes no poems " ) " or follow it into the world of men and things . The necessity of his poetic office causes him to choose the latter occu- pation , though he yearns in other parts of his spirit ...
... follow it to its source ( “ but that writes no poems " ) " or follow it into the world of men and things . The necessity of his poetic office causes him to choose the latter occu- pation , though he yearns in other parts of his spirit ...
Seite 226
... follow the same process . Both composer and poet had to make up in expansion and accumulative intensity what they lost by the in- ability to be dramatic and to make the imaginative leap . In the examples of literary works to follow I do ...
... follow the same process . Both composer and poet had to make up in expansion and accumulative intensity what they lost by the in- ability to be dramatic and to make the imaginative leap . In the examples of literary works to follow I do ...
Seite 318
... follow the quicksilver metamorphoses of his persona , and to share in the energy and exaltation he feels in an " o altitudo . " Huizinga defines the emotions that accompany play as “ exalta- tion and tension " and those that follow as ...
... follow the quicksilver metamorphoses of his persona , and to share in the energy and exaltation he feels in an " o altitudo . " Huizinga defines the emotions that accompany play as “ exalta- tion and tension " and those that follow as ...
Inhalt
JOSEPH J KWIAT | 19 |
67 | 36 |
Adoration of the Magi The Uffizi | 67 |
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