The Centennial Review: CR., Band 21Michigan State University, College of Arts & Letters, 1977 |
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Seite 213
... notes were printed with numbers below them to designate the chief intervals and chords to be played above the bass notes . This system of musical shorthand was highly developed and sophisticated by 1700 . densed in fine arts and belles ...
... notes were printed with numbers below them to designate the chief intervals and chords to be played above the bass notes . This system of musical shorthand was highly developed and sophisticated by 1700 . densed in fine arts and belles ...
Seite 218
... note on the first syllable and a quarter each on the two following . The usual pattern is up slightly on the second ... notes played by the highest instruments . The basic affection , a continu- ously repeated figure in triplets by the ...
... note on the first syllable and a quarter each on the two following . The usual pattern is up slightly on the second ... notes played by the highest instruments . The basic affection , a continu- ously repeated figure in triplets by the ...
Seite 222
... notes of the tonic triad which alternately spring upward in eighth notes from the tonic note F : F - A - F - C - F - F ' , then the right hand begins a winding scale passage in sixteenth notes downward from F ' as the left hand plays ...
... notes of the tonic triad which alternately spring upward in eighth notes from the tonic note F : F - A - F - C - F - F ' , then the right hand begins a winding scale passage in sixteenth notes downward from F ' as the left hand plays ...
Inhalt
JOSEPH J KWIAT | 19 |
67 | 36 |
Adoration of the Magi The Uffizi | 67 |
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