Shakespeare's Hyperontology: Antony and CleopatraFairleigh Dickinson University Press, 1990 - 199 Seiten Utilizing a number of poststructuralist devices, H. W. Fawkner employs an ontodramatic line of approach in order to suggest that a single hidden pattern of hyperontological suggestion organizes Shakespeare's entire imaginative outlook in Antony and Cleopatra. |
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Seite 17
... longer can be delineated ( as it still can be in Antony and Cleopatra ) . As a consequence of the scrambling of bipolar verities in hyper- realist imagination , there is no longer any neat arrangement that keeps the abyss in its place ...
... longer can be delineated ( as it still can be in Antony and Cleopatra ) . As a consequence of the scrambling of bipolar verities in hyper- realist imagination , there is no longer any neat arrangement that keeps the abyss in its place ...
Seite 123
... longer is , where ex- emplariness no longer is exemplariness . Examples , or the example ( the classical formula and recipe for tragic dying ) , can no longer be followed . So the question is now : how does one follow an example that is ...
... longer is , where ex- emplariness no longer is exemplariness . Examples , or the example ( the classical formula and recipe for tragic dying ) , can no longer be followed . So the question is now : how does one follow an example that is ...
Seite 171
... longer leaving . On the contrary , it is staying . We are made to feel that Cleopatra , far from leaving the world of her fabulous and mythological romance with Antony , is staying inside it . We are made to feel that the story has no ...
... longer leaving . On the contrary , it is staying . We are made to feel that Cleopatra , far from leaving the world of her fabulous and mythological romance with Antony , is staying inside it . We are made to feel that the story has no ...
Inhalt
Acknowledgments | 9 |
Presence and Oblivion | 23 |
To Follow Faster | 46 |
Urheberrecht | |
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Shakespeare's Hyperontology: Antony and Cleopatra Harald William Fawkner Eingeschränkte Leseprobe - 1990 |
Häufige Begriffe und Wortgruppen
absence absolute action actually affirms already amounts Antony and Cleopatra Antony's approach arriving become begin bring Caesar calls comes complete conception course created critical death difference difficulty discourse discussion dramatic dying economy Egypt emphasized Enobarbus entire erotic event excess fact fall feeling final force give hand heroic honor human hyperontological Ibid identifies identity imagination important infinite interesting kind language leaving linguistic logic London longer look loss lovers master means military monument moral move movement nature negativity never notion object observed once ontodramatic opposite passage performance perhaps play pleasure position possibility precisely presence produced pure question reality remains restricted Roman Rome scene seems sense Shakespeare simply space spending spirit stage strange suggests takes thee things thou thought tion trace Tragedy tragic turn unit University Press Venus York