Shakespeare's Hyperontology: Antony and CleopatraFairleigh Dickinson University Press, 1990 - 199 Seiten Utilizing a number of poststructuralist devices, H. W. Fawkner employs an ontodramatic line of approach in order to suggest that a single hidden pattern of hyperontological suggestion organizes Shakespeare's entire imaginative outlook in Antony and Cleopatra. |
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Seite 73
... perhaps , is to assume that these two sides , the inside and the outside , form an opposition . The mistake , perhaps , is to assume that Shakespeare would be offering a more complex pic- ture of a character if he clarified the ...
... perhaps , is to assume that these two sides , the inside and the outside , form an opposition . The mistake , perhaps , is to assume that Shakespeare would be offering a more complex pic- ture of a character if he clarified the ...
Seite 132
... Perhaps , after all , Shakespeare is not just dramatizing an event ( Cleopatra's suicide ) that we all realize is inevitable ; perhaps he has a final card to play in this fifth act . And perhaps the supplementary heightening of ...
... Perhaps , after all , Shakespeare is not just dramatizing an event ( Cleopatra's suicide ) that we all realize is inevitable ; perhaps he has a final card to play in this fifth act . And perhaps the supplementary heightening of ...
Seite 136
... Perhaps Shakespeare is working with judgment in a new way . Perhaps it is judgment itself that is being staged in this play : ours as well as that of the players . But what can this tell us ? What can we learn from having judgment ...
... Perhaps Shakespeare is working with judgment in a new way . Perhaps it is judgment itself that is being staged in this play : ours as well as that of the players . But what can this tell us ? What can we learn from having judgment ...
Inhalt
Acknowledgments | 9 |
Presence and Oblivion | 23 |
To Follow Faster | 46 |
Urheberrecht | |
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Shakespeare's Hyperontology: Antony and Cleopatra Harald William Fawkner Eingeschränkte Leseprobe - 1990 |
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