Shakespeare's Hyperontology: Antony and CleopatraFairleigh Dickinson University Press, 1990 - 199 Seiten Utilizing a number of poststructuralist devices, H. W. Fawkner employs an ontodramatic line of approach in order to suggest that a single hidden pattern of hyperontological suggestion organizes Shakespeare's entire imaginative outlook in Antony and Cleopatra. |
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Seite 64
... turns a human being into something erotically boring . Enobarbus , observing first that Antony and Caesar are bound to one ... turn tell us anything about Caesar , the inner man ? Or is it simply a function of the paradoxicality of ...
... turns a human being into something erotically boring . Enobarbus , observing first that Antony and Caesar are bound to one ... turn tell us anything about Caesar , the inner man ? Or is it simply a function of the paradoxicality of ...
Seite 73
... turn adopt the posture of figures in a fertility ritual.13 Linda Bamber , in her somewhat intolerant treatment of Cleopa- tra , complains that we never can " be sure " what we are seeing in the heroine : is it an “ inside view ” or just ...
... turn adopt the posture of figures in a fertility ritual.13 Linda Bamber , in her somewhat intolerant treatment of Cleopa- tra , complains that we never can " be sure " what we are seeing in the heroine : is it an “ inside view ” or just ...
Seite 109
... turn'd whore ” ( 4.12.13 ) . But she is a whore because Fortune is a whore . This whoredom of Fortune can be ... turns in dominating the field . Rather , they are placed inside the possibilities of one another , serially , like a set of ...
... turn'd whore ” ( 4.12.13 ) . But she is a whore because Fortune is a whore . This whoredom of Fortune can be ... turns in dominating the field . Rather , they are placed inside the possibilities of one another , serially , like a set of ...
Inhalt
Acknowledgments | 9 |
Presence and Oblivion | 23 |
To Follow Faster | 46 |
Urheberrecht | |
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Shakespeare's Hyperontology: Antony and Cleopatra Harald William Fawkner Eingeschränkte Leseprobe - 1990 |
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