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TIVE DISCOURSES.

SECT. III. Of ARGUMENTS fuited to DELIBERA- the orator with proper arguments in giving advice. But no small skill and address are required in giving it. For fince the tempers and fentiments of mankind, as well as their circumstances, are very various; it is often neceffary to accommodate the difcourfe to their opinions and prejudices. And therefore the weightieft arguments are not always the most proper and fitteft to be used on all occafions. Cicero, in treating upon this fubject, diftin. guishes mankind into two forts; the ignorant, who always prefer profit to honour; and fuch as are civilized, who prefer honour and reputation. SECT. IV. Of ARGUMENTS fuited to JUDICIAL

40. THIS kind of difcourfes must have been very ancient; fince, doubtless, from the earlieft period of men converfing together, they deliberated upon their co non intereft, and offered their advice to each other. But neither thofe of the laudatory nor judicial kind could be introduced till mankind were fettled in communities. The early practice of fuafory difcourfes appears from facred writ, where we find, that when MOSES was ordered upon an embally into Egypt, he would

have excufed himself for want of eloquence. And Homer reprefents the Greeks at the fiege of Troy, as anxiously running to hear their generals harangue them. Nor is this part of oratory lefs confpicuous for its utefuluefs to mankind than for its antiquity; being highly beneficial either in councils, camps, or any focieties of men. How many inftances have we upon record, where the fury of an enraged multitude has been checked and appeased by the prudent and artful perfuafion of fome particular perfon? The story of Menenius Agrippa, who pacified the commons of Rome, when they withdrew from the fenators, and retired, out of the city, by his fable of the Belly deferted by the other members, is well known. And how often have armies been fired to the most dangerous exploits, or recalled to their duty, when ready to mutiny, by a moving fpeech of their general?

41. The principal heads of arguments, proper for advice, are thefe taken from the nature of the thing under confideration.

42. (1.) Pleafure often affords a very cogent argument in difcourfes of this nature.

43. (2.) Profit, or advantage, has no lefs influence upon mankind than the former; and when it refpects things truly valuable, it is a very just and laudable motive.

44. (3.) Honour, than which no argument will fooner prevail with generous minds, or infpire them with greater ardour.

45. But although a thing confidered in itself appear beneficial if it could be attained, yet the expediency of undertaking it may ftill bequeftionable: in which cafe the following heads, taken from the circumstances which attend it, will afford proper arguments to engage in it.

46. (1.) The poffibility of fucceeding may fome times be argued as one motive to this end.

47. (2.) But an argument founded upon probability will be much more likely to prevail.

48 (3.) But as even probability is not a motive ftrong enough with many perfons to engage in the profecution of a thing which is attended with confiderable difficulties, it is often neceffary to represent the facility of doing it, as an additional reason.

49. (4.) If the thing advised can be shown to be in any respect necessary, this will render the motive ftill much ftronger for undertaking it.

50. (5.) To thefe heads may be added the confideration of the event, which in fome cafes carries great weight with it. As when we advise to the doing of a thing from this motive, That whether it fucceed or not, it will yet be of fervice to undertake it..

31. These are the principal heads which furnish

DISCOURSES.

52. IN judicial controverfies there are two parties; the plaintiff or profecutor, and the defendant or perfon charged. The subject is always fomething paft, and the ends propofed by them Cicero calls equity or right; the former of which arises from the laws of the country, and the latter from reason and the nature of things.

53. All judicial causes are either private or public. Private caufes, or civil causes, relate to the right of particular perfons. Public caufes are those which relate to public justice and the government of the ftate; which are alfo called criminal, because by them crimes are profecuted, whether capital, or of a lefs heinous nature. We need only take the heads of the arguments from this last kind, because they are more copious, and easy to be illuftrated; whence fuch as agree to the former will fufficiently appear.

54 (1.) The conje&ural state. When the accufed perfon denies the fact, there are three things which the profecutor has to confider; whether he would have done it, whether he could, and whether he did it. And hence arife three topics; from the will, the power, and the figns or circumftances which attended the action. The affections of the mind discover the will; as paffion, an old grudge, a defire of revenge, a refentment of an injury, and the like. The fecond head is the power of doing a thing; and there are three things which relate to this, the place, the time, and opportunity. The third head comprehends the figns and circumftances which either preceded, accompanied, or followed, the commiffion of the fact. So threats, or the accused person being seen at or near the place before the fact was committed, are circumstances that may probably precede murder; fighting, crying out, bloodshed, are fuch as accompany it; palenefs, trembling, inconfiftent anfwers, hefitation, or faltering of the fpeech, fomething found upon the perfon accufed which belonged to the deceased, are fuch as follow it.

55. These are the topics from which the profe cutor takes his arguments. The bufinefs of the defendant is to invalidate thefe. Therefore fuch as are brought from the will, he either endeavours to fhow are not true, or fo weak as to merit very little regard. And he refutes thofe taken from the power, by proving that he wanted either opportunity or ability; as, if he can show, that neither the place nor time infifted on was at all proper; or that he was then in another place. In like manner he will endeavour to confute the circumstances, if they cannot be directly denied, by

Showing

fhowing that they are not fuch as néceffarily accompany the fact, but might have proceeded from other caufes, though nothing of what is alleged had been committed; and it will be of great fervice to affign fome other probable caufe. See CRIME, JURY, MANSLAUGHTER, MURDER, TRIAL, &c. 56. (2.) The definitive state, which is principally concerned in defining and fixing the name proper to the fact; though orators feldom ufe exact definitions, but commonly choofe larger descriptions, taken from various properties of the fubject or thing defcribed. The heads of argument in this ftate are much the fame to both parties. For each of them defines the fact his own way, and endea vours to refute the other's definition.

57. (3.) The third ftate is that of quality, in which the difpute turns upon the juftice of an action. And here the defendant does not deny he did the thing he is charged with; but afferts it to be right and equitable, from the circumftances of the cafe, and the motives which induced him to it.

58. (4.) Laftly, a fact is fometimes rather excufed than defended, by pleading that it was not done defignedly, or with any ill intent. This is called conceffion; and confifts of two parts, apology and intreaty. The former represents the matter as the effect of inadvertency, chance, or neceffity. SECT. V. Of the CHARACTER and ADDRESS of an ORATOR.

59. HAVING confidered and explained the first part of invention, which furnishes the orator with fuch arguments as are neceffary for the proof of his subject, we are next to fhow what are the proper means to conciliate the minds of his hearers, to gain their affection, and to recommend both himself and what he says to their good opinion and esteem. This is by Quintilian called propriety of manners. And he adds, it is neceffary," that every thing appear eafy and natural, and the difpofition of the fpeaker be difcovered by his words."

60. There are four qualities fuited to the cha. racter of an orator, which should appear in his discourses, to render what he says acceptable to his bearers; and these are, avisdom, integrity, benevolence, and modefly.

61. It is the orator's bufinefs to confider the various characters and circumftances of life, with the different bias and way of thinking they give to the mind; that he may fo conduct himself in his behaviour and manner of speaking as will render him most acceptable, and gain him the good efteem of those whom he addreffes.

SECT. VI. Of the PASSIONS.

62. As it is often highly neceffary for the orator, fo it requires his greateft fkill, to engage the paffions in his intereft. Where perfons will neither be convinced by reason, nor moved by the authority of the speaker, the only way left to put them upon action, is to engage their paffions.

63. The paffions may be feparately referred, either to demonftrative, deliberative, or judicial discourses; though they are not confined to any of them.

64. i. To the demonftrative kind we may refer joy and ferrow, love and hatred, emulation and contempt.

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65. ii. To deliberative difcourfes may be referred fear, hope, and shame.

66. iii. To judicial difcourfes may be referred anger and lenity, pity and indignation.

67. These are the paffions with which an orator is principally concerned. In addreffing which, not only the greateft warmth and force of expreffion is often neceffary, but he muft likewife first endeavour to imprefs his own mind with the fame paffion he would excite in others. A man may convince, and even persuade others to act, by mere reafon and argument. But that degree of eloquence which gains the admiration of mankind, and properly denominates one an orator, is never found without warmth or paffion. Paflion, when in fuch a degree as to route and kindle the mind, without throwing it out of the poffeffion of itfelf, is univerfally found to exalt all the human powers, It renders the mind more enlightened, penetrating, vigorous, and mafterly, than it is in its calm moments. A man actuated by a strong paffion becomes much greater than he is at other times. He is at no lofs for words and arguments. He tranfmits to others, by a fort of contagious fympathy, the warm fentiments which he feels; his looks and geftures are all perfuafive; and nature here shows herfelf infinitely more powerful than art.

PART II.

OF DISPOSITION.

98. AS Invention fupplies the orator with ne ceflary materials, fo Difpofition directs him how to place them in the moft proper order. What is here chiefly intended by it is, the placing the feveral parts of a discourse in a juft method and dependence upon one another.

69. Writers are not all agreed in determining the parts of an oration: though the difference is rather in the manner of confidering them than in the things themselves. Cicero mentions fix, viz. Introduction, Narration, Propofition, Confirmation, Confutation, and Conclufion.

SECT. I. Of the INTRODUCTION.

70. THE defign of the introduction is to prepare the minds of the hearers for a fuitable reception of what is to follow. For this end, three things are requifite; that the orator gain the good opinion of his hearers, that he fecure their attention, and give them fome general notion of his subject.

71. (1.) To ensure the good opinion of those to whom the difcourfe is made, it is not unusual to commend them for their virtues, and those especially which have a more immediate relation to the present fubject. Sometimes the orator expreffes his gratitude for paft favours; at other times he declares his concern for them and their interest.

72. (2.) As to Attention, Cicero says, "We shall be heard attentively on one of thefe three things; if we propose what is great, necessary, or for the intereft of thofe to whom the difcourfe is addreffed."

73. (3.) Some general account of the fubject of the difcourfe is always neceffary. For every one expects to be foon informed of the defign of the fpeaker, and what he proposes to treat of.

74. These are the heads which commonly fur

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nish matter for this part of a difcourfe. In fome cafes, orators have recourfe to a more artful way of opening their fubject, endeavour to remove jealoufies, apologize for what they are about to fay, and feem to refer it to the candour of the hearers to judge of it as they please. This is called infinuation; and may be neceffary, where a caufe is in itself doubtful, or may be thought fo from the prejudices of the hearers, or the impreffions already made upon them by the contrary fide. An honeft man would not knowingly engage in a bad caufe; and yet, through prevailing prejudice, that may be fo efteemed which is not fo in itself. In these cafes great prudence is neceffary to give such a turn to things, as may be leaft liable to offence.

SECT. II. Of NARRATION.

75. THE orator having prepared his hearers to receive his difcourfe with candour, and acquainted them with his general defign, before he proceeds directly to his subject, often finds it neceffary to give fome account of what preceded, accompanied, or followed upon it. And this he does to enlarge the view of the particular point in difpute, and place it in a clearer light. This is called narration; which is a recital of something done, in the order and manner in which it was done.

76. Those things which properly enter into a narration, are the caufe, manner, time, place, and confequences of an action; with the temper, fortune, views, ability, affociates, and other circumftances of thofe concerned in it. In relating a fact, the orator describes it in so ftrong and lively a manner, as may give the greateft evidence to his hearers, and make the deepeft impreffion upon their minds. See NARRATION, $3.

77. There are 4 properties required' in a good narration; that it be short, perfpicuous, probable, and interefting.

SECT. III. Of the PROPOSITION.

78. In every regular discourse, the speaker's in tention is to prove or illuftrate fomething. And when he lays down his fubject in a diftinct and exprefs manner, this is called the propofition.

79. Orators ufe feveral ways in laying down the fubject of their difcourfes. Sometimes they do it in one general propofition. At other times, to give a clearer and more diftinct view of their difcourfe, they fubjoin to the proposition the general heads of argument by which they endeavour to support it.

80. But when the subject relates to feveral different things, which require to be separately laid down in diftinct propofitions, it is called a PARTITION. Some have made two kinds of partition, one called feparation, and the other enumeration. By the former, the orator fhows in what he agrees with his adversary, and wherein he differs from him. By the latter he acquaints his hearers with the several parts of his difcourfe upon which he defigns to treat. And this alone, properly speaking, is a partition.

81. There are three things requifite in a good partition; that it be short, complete, and confift but of a few members.

82. (1.) A partition is faid to be short, when each propofition contains in it nothing more than is neceffary. So that the brevity here required is different from that of a narration; for that confifts chiefly in things, this in words.

83. (2.) It ought to be complete and perfect. And for this end, care must be taken to omit no neceffary part in the enumeration.

84. (3) There fhould be as few heads as is confiftent with the nature of the fubject. The an. cient rhetoricians prescribe 3 or 4 at the molt. And Cicero never exceeds that number. Yet it is fome. times convenient to fubdivide these again, into several parts. This fubdividing, however, fhould never have place but when it is abfolutely neceffary. To split a fubject into many minute parts, has always a bad effect in fpeaking. It makes an oration appear dry, and unneceffarily fatigues the memory. In a fermon, there may be from 3 to 5 or 6 heads, including fubdivifions; feldom more.

85. A juft partition is attended with confiderable advantages. It gives both light and ornament to a difcourfe. In a fermon, or a pleading at the bar, few things are of greater confequence than a proper divifion. It should be studied with much care; for if one take a wrong method at first setting out, it will lead them astray in all that follows, and render the whole difcourfe either perplexed or languid.

SECT. IV. OF CONFIRMATION.

But

86. THE orator having acquainted his hearers, in the propofition, with the subject on which he defigns to difcourfe, ufually proceeds either to prove or illuftrate what he has laid down. Some difcourfes require nothing more than an illuftration, to fet them in a proper light, for which reafon, they have often no diftinct propofition. where arguments are brought in defence of the fubject, this is properly confirmation. CICERO defines, "confirmation, that which gives proof, authority, and fupport to a cause, by reasoning." If any thing in the propofition feems obfcure, or liable to be misunderstood, the orator first explains it, and then offers, fuch arguments in proof of it, and reprefents them in fuch a light, as feem most proper to gain the affent of his hearers. Two methods of reafoning are employed by orators, the fynthetic and analytic.

87. I. Every piece of fynthetic reasoning may be refolved into a fyllogifm or series of fyllogifms. (See LOGIC, Part III, Se&. IV.) As a logical fyllogifm confifts of 3 parts or propofitions, a rhetorical fyllogifm frequently contains 4 or 5. Cicero reckons this laft the most complete. But all that is faid in confirmation of either of the premifes is accounted but as one part.

88. But orators do not often use complete fyllogifms, but most commonly enthymemes. An ENTHYMEME is an imperfect fyllogifm, confifting of two parts; the conclufion, and one of the premises: And in this kind of fyllogifm, that propofition is omitted, whether it be the major or minor, which is fufficiently manifeft of itself, and may easily be fupplied by the hearers. But the propofition that is expreffed is ufually called the antecedent, and the conclufion the confequent. 89. It is reckoned a beauty in enthymemes,

when

when they confift of contrary parts: because the turn of them is most acute and pungent. Such is that of Micipfa in Salluft: What ftranger will be faithful to you' who are an enemy to your friends?" Orators manage enthymemes in the fame manner they do fyllogifms; that is, they in vert the order of the parts, and confirm the propofition by one or more reafons: and therefore a rhetorical enthymeme frequently confifts of 3 parts, as a fyllogifm does of 5. Though, ftrictly speak ing, a fyllogifm can confift of no more than 3 parts, and an enthymeme but of two. See EN

THYMEME.

90. II. The other method of reafoning is the analytic, in which the orator conceals his intention concerning the point he is to prove, till he has gradually brought his hearers to the defigned conclufion (See ANALYTIC.) They are led on, ftep by step, from one known truth to another, till the conclufion be ftolen upon them, as the natural confequence of a chain of propofitions.

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91. Under the analytic may b comprehended reafoning by example. Rhetoricians ufe this word in a different fenfe from the common acceptation. In oratory the word example is used for any kind of fimilitude; or, as Voffius defines it, "When one thing is inferred from another, by reafon of the likeness which appears between them." Hence it is called an imperfect induction, which infers fomething from feveral others of the like nature, and has always the greatest force when the examples are taken from facts. But comparisons are fometimes made between facts and other things, to infer fome difference or oppofition between them. In comparing two facts, on account of fome difagreement and unlikeness, the inference is made from the difference between one and the other in that particular respect only.

92. Thus we have given a brief account of the principal methods of reafoning used by orators. As to the difpofition of arguments, or the order of placing them, fome advife to put the weaker, which cannot wholly be omitted, in the middle: and fuch as are stronger, partly in the beginning, to gain the esteem of the hearers and render them more attentive; and partly at the end, because what is last heard is likely to be retained longeft: But if there are but two arguments, to place the Aronger firft, and then the weaker; and after that to return to the former, and infift principally upon it. But this must be left to the prudence of the speaker. Nor ought arguments to be crowded too close upon one another; for that takes off from their force, and does not leave the hearers fufficient time duly to confider them.

SECT. V. Of CONFUTATION.

93. THE forms of reasoning here are the same as have been explained under confirmation. Confutation, however, is often the more difficult task; becaufe he who is to prove a thing comes ufually prepared; but he who is to confute it is frequently left to a fudden anfwer. Therefore, not only a good judgment, but a readiness of thought is neceffary. But, in all difputes, it is of the greateft confequence to obferve where the ftrefs of the controverfy lies. In confutation, what the adversary has advanced ought carefully to be confi

dered, and in what manner he has expreffed himfelf. Thofe arguments that are foreign to the fubject may in a very few words be shown to be infignificant. There ought also to be a diftinction made between fuch things as relate to the subject, according to their importance. Those that appear to have no great weight should be flightly remarked; and are generally better turned off with an air of neglect, a pungent queftion, or an agreeable jeft, than confuted by a ferious and laboured anfwer. But thofe, which relate to the merits of the caufe, may be confuted either by contradiding them, or by fhewing fome mistake in the reasoning, or their invalidity when granted.

94. Things may be contradicted several ways. What is apparently falfe may be exprefsly denied. And what the adversary cannot prove, may likewife be denied." It is a handfome way of contra. dicting a thing, by fhowing that the adverfary himfelf maintained the contrary. An adverfary is never more effectually filenced than when he is charged with contradictions; for this is stabbing him with his own weapon. Sometimes a thing is not in exprefs terms denied, but represented to be utterly incredible. And this method expofes the adverfary more than a bare denial.

95. There is likewife an ironical way of contradicting a thing, by retorting that and other things of the like nature upon the adverfe party. Such an unexpected return is fometimes of great fervice to abate the confidence of an adverfary.

96. A ad method of confutation is, by obferving fome flaw in the reafoning of the adverfe party. Syllogifms may be refuted, either by fhowing fome mistake in the premises, or that the conclufion is not juftly deduced from them. Enthymemes may be refuted, either by fhowing that the antecedent is falfe, or the confequent not juftly inferred from it. As to induction and example, by which the truth or equity of a thing is proved from its likeness to other things; the reasoning is invalid, if the things fo compared can be shown not to have that fimilitude or agreement on which the inference is founded.

97. The last method of confutation is, when the orator does in fome fenfe grant the adversary his argument, and at the fame time fhows its invalidity. This is done by a variety of ways, according to the nature of the subject. Sometimes he allows what was faid may be true; but pleads, that what he contends for is neceflary. At other times he pleads, that although the contrary opinion may feem to be attended with advantage, yet that his own is more just or honourable. Such was the cafe of Regulus. (See REGULUS.) Another way of confutation is, by retorting upon the adversary his own argument. The orator takes this advantage where an argument proves too much, that is, more than the perfon intended, who made ufe of it. Inverfion resembles this, by which the orator fhows, that the reasons offered by the oppofite party make for him. Sometimes the charge is acknowledged, but the crime thifted off to another. Another method is, to alleviate the charge, and take off the force of it, by fhowing, that the thing was not done with that intention which the adversary infinuates.

98. Such are the methods of confutation ufed by orators, in anfwering arguments brought by the contrary party. But fometimes they raife fuch objections themselves to what they have faid, as they imagine may be made by others; which they afterwards anfwer, the better to induce their hearers to think, that nothing confiderable can be offered against what they have advanced, but what will admit of an eafy reply. This is an effectual way of defeating an adverfary, when the objection is well stated, and clearly answered.

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SECT. VI. Of the CONCLUSION.

99. RHETORICIANS make the conclufion of a difcourse to confift of two parts: recapitulation and an addrefs to the paffions.

love, admiration, and emulation, are usually excited; but in invectives,-hatred, envy, and contempt. In deliberative fubjects, either the hope of gratifying fome defire is fet in view, or the fear of fome impending evil. And in judicial difcourfes, almoft all the paflions have place, but more espe cially refentment and pity.

103. But the fame paflion may be excited by very different methods. Horace endeavours to recommend virtue, by laughing vice out of countenance; Perfius moves us to an abhorrence of vice, with the feverity of a philofopher; and Juvenal, by open and vehement invectives. Só orators make use of all these methods, but they should not dwell long upon the fame paffion. When the emotion is once carried as high as it can be, the hearers should be left under its influence.

100. I. Recapitulation is a fummary account of what the speaker. has before offered in mainte- 104. Orators fometimes endeavour to raise connance of his fubject; and is defigned both to re- trary paffions, as they are concerned for oppofite fresh the memory of the hearers, and to bring the parties. So the accufer excites anger and refentprincipal arguments together into a narrow comment, but the defendant pity and compaffion. pals, that they may appear in a ftronger light. There are feveral things neceffary to a good reca pitulation. 1. It must be thort and concile, as it is defigned to refresh the memory, and not to burden it. The chief things only are to be touched, on which the cause principally depends; the general heads of the difcourfe, with the main arguments brought to fupport them. 2. They should be recited in the fame order in which they were at first laid down. The hearers will thus be en abled better to keep pace with the speaker as he goes along, Every thing ought to be reprefented in the ftrongest terms, and in fo lively a manner, as may at the fame time both entertain the audi ence, and make the deepest impression upon their minds.

101. Sometimes a repetition is made, by run, ning a comparison between the speaker's own ar guments and thofe of the adverfe party. But when the difcourfe is very long, and the argu, ments infifted on have been many, to prevent the hearers lofing patience by a more particular reci tal, the orator fometimes only juft mentions fuch things as he thinks of leaft confequence, by fay ing, that he omits or paffes over them, till he comes to what is of greater moment, which he represents more fully. And this is what the writers upon this art call preterition.

102. II. By an address to the paffions, the orator fometimes endeavours occafionally to work upon his hearers in other parts of his difcourfe, but especially in the conclusion, where he is warmeft himself, and labours to make them fo, For the main design of the introduction is to conciliate the hearers; of the narration, propofition, and confirmation, to inform them; and of the conclufion, to move them. And therefore, fays Quintilian, "Here all the fprings of eloquence are to be opened. It is here we fecure the minds of the hearers, if what went before was well managed. Now we are paft the rocks and fhallows, all the fails may be hoifted. And as the greatest part of the conclufion confifts in illuftration, the moft pompous language and strongest figures have place here." The paffions, which the orator adareffes, differ according to the nature of the difcourfe. In demonstrative orations, when laudatory,

But the orator fhould always exprefs the fame paffion himself with which he endeavours to affect others, in his action, voice, language, words, and expreffion. But a decency and propriety of cha racter is always to be obferved. This juftness of character is admirably well obferved by CICERO, in his defence of Milo; who, being a man of moft undaunted courage, it would have been improper to introduce him moving pity, and begging for mercy. Cicero therefore takes this part upon himself; and what he could not do with any propriety in the character of Milo, be performs in his

Own.

105. But as perfons are commonly more affec ted with what they see than with what they hear, orators fometimes call in the affiftance of that fenfe in moving the paffions. For this reafon it was ufual among the Romans, in judicial cafes, for accufed perfons to appear with a dejected air and a fordid garb, attended by their parents, children, &c. with the like drefs and afpect. The Areopa. gites at Athens, if the orator began to fay any thing which was moving, an officer immediately bade him be filent. There is certainly a medium between thefe extremes.

SECT. VII. Of DIGRESSION, TRANSITION, and AMPLIFICATION.

106. Befides the number, order, and nature of the parts which conftitute a complete and regular oration, explained in the preceding chapters, there are feveral other things neceffary to be known by an orator, which come under the fecond branch of his art.-Thefe are, Digreffion, Tranfition, and Amplification.

107. I. Digreffion, as defined by Quintilian, is, "A going oft from the fubject we are upon to fome different thing, which may however be of fervice to it." As where a fubject is of itself dry, or requires close attention, it relieves the mind by fomething entertaining. But they fhould neither be too frequent nor too long. Indeed orators fometimes, when fore preffed, and the caufe will not bear a clofe fcrutiny, artfully run into digreffious, to divert the attention of the bearers from the fubject, and turn them to a different view. Aud in such cases, to be unobferved, they do it

tacitly

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