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be made of a fize proportioned to the paper, lined on the infide with white paint, and furnished with feveral ftages of crofs bars of glass. The bottom of the box is to be covered with a ftratum about one inch deep of cauftic ley, and the paper laid by quarter reams or lefs, acrofs the glafs bar. A hole must be made in the box to admit the beak of an earthen ware retort, into which must be put manganese and fea-falt in powder, fulphuric acid, and an equal quantity of water impregnated with the freams of burning fulphur. (Sulphureous acid.) The cover of the box is to be made air-tight, by luting or flips of paper dipped in pafte. The apparatus being thus prepared, the belly of the retort is to be plunged in water, kept boiling, and in a fhort time the oxy-muriatic gas will be driven into the box, will penetrate the paper, and render it of a dazzling whiteness; while the alkaline ley at the bottom will, by gradually absorbing it, prevent its becoming fo concentrated as to deftroy or injure the texture of the paper. From 3 to 4 lb. of fulphuric acid will fuffice for 1 cwt. of paper, and the operation will be completed in 8 hours. The sheets, as they are taken out of the box, are to be fized with the following mixture: To cwt. of clippings of skin, add 14 lb. of alum, 7 lb. of calcined vitriol, and I lb. of gum arabic, with a fufficient quantity of water to fize 50 reams of foolscap. The fame method will ferve equally well to clean engravings or printing; for though the oxy-muriatic acid difcharges all ftains, dirt, &c. yet it is incapable of acting on printer's ink.

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SECT. II. Of the DIFFERENT KINDS of PAPER. 1. The paper proper for WRITING fhould be without knots, without any parts of the ftuff not triturated, without folds and without wrinkles, of a fupple texture, its grain uniform and regular, foftened in the exchange, and not deftroyed by fmoothing. The ground of it must be extremely white, or fhaded with a very light blue. It should ba fully and equally fized.

2. To make paper peculiarly fit for DURABLE WRITING, Dr Lewis recommends the impregnation of it with aftringent materials. "It is obfervable (fays he) that writings first begin to fade or change their colour on the back of the paper, where the larger strokes have sunk in, or are vifible through it; as if part of the irony matter of the vitriol was in a more fubtile or diffolved state than the reft, and funk further, on account of its not being fully disengaged from the acid, or fufficiently combined with the aftringent matter of the galls. But if the paper was impregnated with aftringent matter, the colour of the ink would be more durable."

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3. The paper ufed for DRAWING, or for coLOURED MAPS, is in fome mills made from one kind of white ftuff, either fine or middling in others from a mixture of 3 or 4 kinds of stuff of different colours. The fame qualities are neceffary as in that for writing. The grain, however, muft be a little more raised, although foftened by the exchange; for, without this grain, the pencil would leave with difficulty the traces of the objects. Great care is alfo neceffary in the fizing of it. 4. FURNITURE PAPER fhould be well foftened VOL. XVI. PART II.

and fubmitted to the exchange, to take more e◄ actly the outlines of the figures. The French have carried this part of the manufacture to the higheft ftate of perfection.

5. The British and Dutch have had the greatest fuccefs in manufacturing PASTEBOARD, which they make either from a fingle mafs of stuff on the form, or from a collection of feveral sheets pafted together. In both cafes, the sheets of pasteboard are made of stuff not rotted, and triturated with rollers, furnished with blades of well tempered steel. By the operation of the exchange, and smoothing continued for a long time, they obtain folid and fmooth ftuffs, which neither break under the folds of cloth, nor adhere to them.

6. In England they have at leaft equalled any other nation in the manufacture of PRINTING PAPER; and in Scotland they have arrived at fuch a degree of perfection in this art, that great part of what they manufacture is fent into England. It requires to be made of a soft and equal ftuff, without folds or wrinkles, of a natural whiteness, and with a fhade of blue. It must be sized lefs strongly than writing paper, but fufficiently to give neat. nefs to the characters. Some artists, to meliorate the grain, and reduce the inequalities of the furface, fubmit this paper to the exchange. And a moderate degree of exchanging and of preffing may be of great service, after the sheets are printed, to level the hollow places occafioned by the prefs, and the relievo of the letters.

7. ENGRAVING requires a paper of the fame qualities with the laft, with refpect to the ftuff, which must be pure, without knots, and equally reduced; the grain uniform, and the sheets without folds or wrinkles. To preferve the grain, it fhould be dried flowly in the lowest place of the drying-houfe. The effects of the exchange must be moderated with the greatest care, and the action of the two first preffes must be equally diftributed over the whole mafs, otherwife the inequa lity of the moisture at the middle and fides will expose it to wrinkles in the drying. The fizing of this paper muft alfo be moderate. The WIREWOVE FRAME, though but lately invented, is peculiarly adapted to this kind of paper.

8. Paper for CARDS must be manufactured from a pretty firm ftuff, to take that degree of smoothnefs which makes the cards glide eafily over one another in ufing. For this reafon the cardmakers reject every kind of paper which is soft and without ftrength. This paper requires to be very much fized, fince the fizing holds the place of varnish, to which the fmoothing gives a glazed and fhining surface. The French excel every other nation in this branch of the manufacture of paper. SECT. III. Of VARIOUS OPERATIONS on PAPER, to render it fit for DIFEERENT PURPOSES. 1. To prevent paper from SINKING, take about the fize of a nut of rock alum, dissolve it in a glass of clear water, and apply it to the paper which has not been fufficiently fized, with a fine fponge. In this manner the paper-manufacturers of Paris prepare the paper for drawing, called papiers laves. When there is occafion to write on a printed book, or on paper too fresh, it is fufficient to mix a lit tle gum with ordinary ink.

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2. To give to writing paper a BRILLIANT VAR NISH, take that which is of an ordinary fineness, very fmooth, without any kind of ftain or hairs on its furface; ftretch it on a smooth plank, and by means of a hare's foot cover it with a thin and equal layer of fandarac finely powdered. Afterwards, if a whole ream is to be varnished, take 8 oz. of rock alum, and 1 oz. of white fugar candy; bring them to boil in fix pints of water; and when the liquor is lukewarm, wet that fide of the sheet which has been covered with the fandarac with a fine fponge; lay the fheets in a heap, one sheet exactly above another; and fubmit the ream to the prefs for 12 hours: hang them fheet by fheet on the cords of the drying-houfe; put them again under the prefs for fome days to ftretch them; and, finally, beat them with a book-binder's mallet. This paper can only be used for three or four months after it is prepared.

3. PAINTERS prepare their paper for DRAWING, and giving it a dark ground, which fpares them much labour of the pencil afterwards in thofe places where fhade is neceffary. For this purpose they take white paper and pass a sponge over it, which has imbibed water impregnated with foot, leaving the light places to be formed afterwards. They ufe alfo a kind of paper for drawing, which is called tainted paper. A light colour is paffed over the whole ground, which deprives the paper of its original brightnefs, and makes the light places of the print appear more in relievo, and more luminous.

4. The method most common and moft convenient for COPYING A PRINT, is to use oiled paper. The manner of preparing this paper is to take that which is thin and smooth, known commonly by the name of ferpent paper, and moiften it with a compofition, two parts of the oil of walnuts and one part of the oil of turpentine mixed well together. A fheet of pafteboard and a sheet of paper are laid on a smooth table; above them are placed two fheets of paper to be prepared; and a layer of the oil applied to the uppermoft is fufficient to penetrate both. This may be done to any number of sheets, and a strong sheet of pafteboard is placed over the whole. The heap is afterwards fubmitted to the prefs, under which it remains for two or three days till the oil be completely dry. Paper prepared in this manner ferves to copy very readily and exactly all kinds of figures and plans; because, being altogether transparent, all the parts of the drawing, whether of light or fhade are easily distinguished.

5. Befides the paper made from the ASBESTOS, it is neceffary for wrapping up gunpowder and valuable writings, to have a paper that will not eafily take fire. The manner in which this is prepared is extremely fimple. Ordinary paper is dipped into boiling liquid, confifting of of water and of diffolved alum. This falt, which is not inflammable, covers the furface of the paper, and renders it in fome meafure incombuftible.

6. In the feafon of verjuice, a little of it diluted with water is fufficient for obliterating any fresh SPOT OF INK The falt of the verjuice diffolved in water anfwers the purpofe equally well, and the falt of the forrel is also employed, though

with lefs effect. If the fpots be dry, and the a bove acids are infufficient to eradicate them, a little aquafortis diluted in water and applied with the feather of a quill or a fine hair pencil will make them entirely disappear.

7. Books and MSS. are fometimes defaced by accidental STAINS with OIL. To remove fuch blemishes, burn fheeps bones and reduce them to a fine powder; lay a quantity of this powder on each fide of the ftain; place it between two fheets of white paper, and submit it for 12 hours to the prefs. If the ftains have not disappeared, it will be neceffary to reiterate the procefs.

8. To make OILED PAPERS take COLOURS; mix with the colours a very smail quantity either of the gall of a pike or carp; and as these fubftances are of the nature of foap, they diffolve the greafe that is in the paper, and permit the colours to be fpread over the furface.

9. EMERY PAPER, which is employed for tak. ing the ruft from iron without washing it, is made by impregnating coarse paper with gummed water or any other tenacious fubftance, and then covering it over with the finest emery.

10. The COLOURS proper for paper are not different from thofe ufed for other fubftances, and are enumerated under the article COLOUR-MAKING. They are applied with foft brushes, after being tempered to a due degree with fize or gum water. If the paper on which they are to be laid is foft, fo that the colours are apt to go through, it muft alfo be fized before they are laid on, or a proportionably larger quantity must be used a long with the colours themselves. If a confider. able extent of the paper is to be done over with one colour, it must receive feveral coatings, as thin as poffible, letting each coat dry before another is put on, otherwife the colour will be unequal.

11. TO GILD PAPER, take yellow ochre, grind it with rain-water, and lay a ground with it upon the paper all over; when dry, take the white of eggs, beat it clear with white fugar-candy, and ftrike it all over: then lay on the leaf-gold; and when dry, polish it with a tooth. Some take saffron, boil it in water, and diffolve a little gum with it; then they ftrike it over the paper, lay on the gold; and, when dry, they polish it.

12. TO SILVER PAPER, in the Chinese method, take two fcruples of clear glue made of neats leather, one fcruple of white alum, and half a pint of clear water; fimmer the whole over a flow fire, till the water is confumed, or the fleam ceafes: then, your fheets of paper being laid on a fmooth table, dip a pretty large pencil into that glue, and daub it over as even as you can, repeating this two or three times: then fift the powder of talc through a fine fieve, made of horse-hair or gauze, over it; and then hang it up to dry; and, when dry, rub off the fuperfluous talc, which ferves again for the fame purpose. The talc is prepared in the following manner: Take fine white tranfparent Mufcovy tale; boil it in clear water for four hours; then take it off the fire, and let it ftand fo for two days: then take it out, wash it well, and put it into a linen rag, and beat it to pieces with a mallet: to ro ib. of talc add 3 lb. of white alum, and grind them together

in a little hand-mill; fift it through a gauze-fieve; and being thus reduced to a powder, put it into water, and juft boil it up: then let it link to the bottom, pour off the water from it, place the powder in the fun to dry, and it will become a hard confiftence. This beat in a mortar to an impalpable powder, and keep it for use free from duft.

13. The common GROUNDS laid in water for PAPER HANGINGS are made by mixing whiting with the common glovers fize, and laying it on the paper with a proper bruth in the moft even manner. This is all that is required where the ground is to be left white; and the paper being then hung on a proper frame till it be dry, is fit to be painted. When coloured grounds are required, the fame method must be purfued, and the ground of whiting firft laid; except in pale colours, fuch as ftraw-colours or pink, where a fecond coating may fometimes be fpared, by mixing fome ftrong colour with the whiting.

14. There are three methods by which PAPERHANGINGS are PAINTED; the firft by printing on the colours; the 2d by using the stencil; and the 3d by laying them on with a pencil, as in other kinds of painting.

I. When the colours are laid on by PRINTING, the impreffion is made by wooden prints; which are cut in fuch manner, that the figure to be expreffed is made to project from the furface by cutteng away all the other part; and, this being charged with the colours tempered with their proper vehicle, by letting it gently down on a block on which the colour is previously spread, conveys it thence to the ground of the paper, on which it is made to fall more forcibly by means of its weight, and the effort of the arm of the perfon who uses the print. There must be as many feparate prints as there are colours to be printed. But where there are more than one, great care must be taken, after the firft, to let the print fall exactly in the fame part of the paper as that which went before; otherwife the figure of the defign would be brought into irregularity and confufion. In common paper of low price, it is ufual, therefore, to print only the outlines, and lay on the refl of the colours by ftencilling; which both faves the expenfe of cutting more prints, and can be practifed by common workmen, not requiring the great care and dexterity neceffary to the uling feveral prints.

II. The manner of STENCILLING the colours is this. The figure, which all the parts of any particular colour make in the design to be paint ed, is to be cut out in a piece of thin leather or oil-cloth, which pieces of leather or oil cloth are called fencils; and being laid flat on the sheets of paper to be printed, spread on a table or floor, are to be rubbed over with the colour, properly tempered, by means of a large brush. The colour paffing over the whole is confequently spread on those parts of the paper where the cloth or leather is cut away, and give the fame effect as if laid on by a print. This is nevertheless only practicable in parts where there are only detached maffes or spots of colours: for where there are small continued lines, or parts that run one into

another, it is difficult to preferve the connectior continuity of the parts of the cloth, or to keep the smaller corners clofe down to the paper, and therefore, in fuch cafe, prints are preferable. Stencilling is indeed a cheaper method of perform. ing coarse work than printing: but without fuch extraordinary attention and trouble as render at equally difficult with printing, it is far lefs beau tiful and exact in the effect. For the outlines of the fpots of colour want that tharpness and regu larity that are given by prints.

III. PENCILLING is only used in the cafe of nicer work, fuch as the better imitations of ne India paper. It is performed in the fame manner as other paintings in water or varnish. It is fomnetimes ufed only to fill the outunes already formed by printing, where the price of the colour, or the exactness of the manner in which it is required to be laid on, render the ftencilling or printing it lefs proper; at other times, it is uted for forming or delineating some parts of the design, where a fpirit of freedom and variety, not to be kad in printed outlines, are defired to be had in the work.

15. Management of FLOCK PAPER. The pa per defigned for receiving the flock is firtt prepared with a varnish ground with fome proper colour, or by that of the paper itself. It is frequently, practifed to print fome Mofaic or other mail running figure in colours on the ground, before the flock be laid on; and it may be done with any pigment of the colour defired, tempered with varnish, and laid on by a print cut correspondently to that end.

The method of laying on the flock is this: A wooden print being cut, for laying on the colour in fuch manner that the part of the defign which is intended for the Rock may project beyond the reft of the furface, the varnish is put on a block covered with leather or oil cloth, and the print is to be used alfo in the fame manner, to lay the varnish on all the parts where the flock is to be fixed. The fheet, thus prepared by the varnished impreffion, is then to be removed to another block or table, and to be ftrewed over with flock; which is afterwards to be gently comprefied by a board, or fome other flat body, to make the varnish take the better hold of it: and then the fheet is to be hung on the frame till the varnish be perfectly dry; when the fuperfluous part of flock is to be brushed off by a foft camel's-hair brush; and the proper flock will be found to adhere in a very ftrong manner. The method of preparing the flock is, by cutting woollen rags or pieces of cloth with the hand, by means of a large bill or chopping knife; or by means of a machine worked by a horfe mill.

There is a kind of counterfeit of flock-paper, which, when well managed, has very much the fame effect to the eye as the real, though done with lefs expenfe. The manner of making this fort is, by laying a ground of varnish on the paper; and having afterwards printed the defign of the flock in varnish, in the fame manner as for the true; inftead of the flock, fome pigment, or dry colour of the fame hue with the flock required by the defign, but somewhat of a darker fhade, beU ua u 2

ing

ing well powdered, is ftrewed on the printed red and was converted to a coal; which howvarnih, and produces nearly the fame appearance. SECT. IV. Of RENDERING PAPER INCOMBUSTI

BLE.

THE BLEACHING of ftained paper is not the only improvement which the art of paper-making has derived from the late difcoveries in modern chemistry. In CRELL'S Chemical Analyfes for 1797, there is an account of fome curious experiments made by M. L. BRUGNATELLI, with the view of rendering paper incombuftible, and, of courfe, the writing on it indeftructible by fire.

Of all the fubftances which he tried, he found the LIQUOR OF FLINTS, (See CHEMISTRY, Index,) the most proper to fecure paper from deftruction by fire. He dipped a fheet of paper in it fresh made, or daubed it feveral times over the whole paper with a hair brush, and dried it in the fun, or in an oven. Paper thus prepared loft fome of its foftnefs, became rougher than before, and acquired a lixivious cauftic tafte. In other refpects it did not differ from common white paper.

When this paper was laid upon glowing coals, it did not burn like common paper, but became

PAP

(1.) * PAPERMILL. n. S.[paper and mill.] A mill in which rags are ground for paper-Con- trary to the king and his dignity, thou haft built a paper-mill. Shak.

(2) PAPER-MILL. See PAPER-MAKING, Se&. I. PAPER MONEY, is a term frequently made ufe of for bank-bills, which pafs currently in trade inftead of gold and filver. On this fpecies of currency, the national utility of which has been controverted by fome, Dr Smith has a number of judicious obfervations in his Treatife on the Wealth of Nations, for which we must refer our readers to that important work, as our room permits us not to quote them. See BANK, § 10-21, and TRADE.

PAPERO. See PAPYRUS.

PAPER OFFICE, an office in the palace of Whitehall, in which all the public writings, matters of ftate and council, proclamations, letters, intelligences, negociations abroad, and generally all dispatches that pafs through the offices of the fecretaries of state, are lodged, by way of library. *PAPESCENT. adj. Containing pap; inclinable to pap. The cooling, iactefcent, papefcent plants; as cichory and lettuce. Arbuthnot.

(1.) PAPHIA, an ancient name of CYPRUS. (2.) PAPHIA, a furname of Venus, from PA

PHOS.

PAPHH, the people of PAPHOS. Stephan. PAPELAGONIS, or the 2 be inhabitants of PAPELAGONIANS, PAPHLAGONIA, who are mentioned by Homer, as a brave people, but by Lucian as fuperftitious and filly. Bocchart derives their name and defcent from Phaleg or Peleg, the fon of Heber..

PAPILAGONIA, in ancient geography, a country of the Hither Afia, beginning at Parthezius, a river of Bithynia, on the W. and extend

ever did not fall to afhes like the coal of com/os paper; fo that it muft therefore be confidered as petrified paper. This coal, however, is extremely friable, for when taken between the fingers, or preffed together, it crumbles to pieces. Str, however, the difcovery is valuable, as along with it M. Brugnatelli difcovered a kind of ink, of fuch a nature that the characters written with it continue vifible on this coal.

This INK he made, by combining diffolved nitrite of zinc with common ink; and found that the colour of this mixture, though it appeared pale on common paper, became fo dark on prepared paper, that words written with it appeared more confpicuous than words written with common ink. When the paper was burnt or reduced to a coal, the characters were so visible, in a clear white colour on a dark ground, that they could be read with as much ease, as characters written with the best ink on white paper. If M. Brugnatelli fucceed in his attempts to difcover a me. thod of rendering his prepared paper lefs triable when burnt, his difcovery will be of the utmost importance.

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ing in length to the Halys E. with the Euxine on the N. Galatia on the S. Pliny enlarges the limits on the W. fide to the river Billis, on this fide the Parthenius. It is called PYLEMENIA by Pliny. It is now called PENDERACHIA.

(1, 2.) PAPHOS, in ancient geography, two adjoining iflands on the W. fide of the ifland of Cy. prus; the one called Hale Paphos, (Strabo, Piolemy, Pliny ;) the other Nea Paphos. When men. tioned without an adjunct, this latter is always underfood. Both dedicated to Venus, hence furnamed PAPHIA, and left undiftinguished by the poets. (Virgil, Horace.) Paphos was reftored by Auguftus, after a fhock of an earthquake, and called Augufta, (Dio.) It is fituated on the S. fide: it contained the celebrated temple of Venus: which, together with the city, was deftroyed by an earthquake, fo that the leaft veftige of it is not now to be feen. A lake in the neighbourhood, which in fummer overflows with ftagnant and cor rupted water, renders the air unwholefome.

(3.) PAPHOS, NEW, the capital of the above iflands, on the W. coaft, called by modern geographers Baffos. This city had a port, where velfels trading upon that coaft ftill caft anchor; but only in fummer; for, being exposed to every wind, it is extremely dangerous. The bottom of it is full of fharp rocks. There are two caftles; one on the coaft; the other on a hill; but in ruins. The government of Paphos confifts of a digdaban or commiffary; a cadi; and an aga, who prefides over the customhoufe. In the church of St George, fervice is performed by the Greek minifters. The productions of this part of the ifland, are filk, bar ley, and other grain. In this ifland St Paul converted Sergius, a Roman proconful, and conferred the deaconfhip on Titus. Paphos was an epifcopal city in the time of the Lufignians: and it is

ftill a bishop's fee, fuffragan to the Archbishop of Nicofia. On the weft fide of the island there are many fcattered villages.

PAPHUS, in the mythology, the fon of Pyg. malion, by the ivory statue of a woman, which he made, and to which Venus gave life. Ovid. Met. X. 297. See PYGMALION.

PAPIA, the ancient name of PAVIA. PAPIAS, bishop of Hierepolis, in Phrygia, was the difciple of St John the Evangelift, and the companion of Polycarp, as St Jerome obferves. He compofed a work in 5 books, entitled Expofitions of the Difcourfes of our Lord, of which there are only fome fragments remaining. He introduced the option of the MILLENARIANS.

PAPIER MACHE, a fubftance made of cuttings of white or brown paper, boiled in water, and beaten in a mortar, till they are reduced into a kind of paste, and then boiled with a folution of gum arabic or of fize, to give tenacity to the pafte, which is afterwards formed into different toys, &c. by preffing it into oiled moulds. When dry, it is done over with a mixture of fize and lamp. black, and afterwards varnished. The black varnish for thefe toys, according to Dr Lewis, is prepared as follows: Some colophony, or turpentine boiled down till it becomes black and friable, is melted in a glazed earthen veffel, and thrice as much amber in fine powder fprinkled in by degrees, with the addition of a little fpirit or oil of turpentine now and then when the amber is melted, fprinkle in the fame quantity of fareocolla, continuing to stir them, and to add more fpirit of turpentine, till the whole becomes fluid; then'strain out the clear through a coarse hair-bag, preffing it gently between hot boards. This varnish, mixed with ivory black in fine powder, is applied, in a hot room, on the dried paper pafte; which is then fet in a gently heated oven, next day in a hotter oven, and the third day in a very hot one, and let ftand each time till the oven grows cold. The paste thus varnished is hard, durable, gloffy, and bears liquors hot or cold.

PAPIGO HAVEN, a bay on the east coast of Caithness; one mile north of Wick.

(L)* PAPILIO. n. S. [Lat. papillen, Fr.] A butterfly; a moth of various colours.-Conjecture cannot eftimate all the kinds of papilios, natives of this ifland, to fall short of 300. Ray.

(II.) PAPILTO, the BUTTERFLY, in zoology; a genus of infects belonging to the order of lepidop. tera. It has four wings, imbricated with a kind of downy feales; the tongue is convoluted in a spiral form, and the body is hairy. The antennæ grow thicker towards their extremity, and are in moft fubjects terminated by a kind of capitulum or head. The wings, when fitting, are erect, infomach that their extremities meet or touch one another above the body. They fly in the day-time. The beauties of this elegant part of the creation are well known. The chryfalis is at once the tomb of the caterpillar and the cradle of the butterfly. It is within a filken cod, or under a transparent veil, that this great miracle of nature is daily wrought. Take one of their cods, make an aperture in it with a pair of fciffars, fix it against a glaís; observe the infect, you will perceive the organs gradually difplaying themselves; follow his

operations with your eye; he struggles to break
loofe from his confinement. Obferve the frothy
liquor which it difgorges; that liquor ferves to
foften the end of the cod, which at length yields
to the butting of the infect's head. By degrees
the bar is removed, and the butterfly fprings
forth; the impreffion of the air acts upon its
wings, flightly apparent at first, but which after-
wards expand with remarkable rapidity. The dif
play of them is fometimes checked by drought,
in which cafe the infect is deprived of the faculty
of flying. The roftrum, extended under the
covering of the chryfalis, is in this last ftate rolled
up into fpiral, and lodged in a recefs prepared
for it. The fly is now perfectly formed; it gently
flutters, then takes its flight, and purfues its mazy
wanderings over the enamelled meads, plunging
its roftrum into the cups of nectareous flowers.'
Of the fpecies of papilio, N° 1, pl. CCLXV. Barbut
gives the following account: The peacock, or
peacock's eye, is easily known by the peacock's
eyes which it bears above, four in number, one
upon each wing, which has given it the name it has.
Its wings, very angulous, are black underneath;
above they are of a reddish dun colour. The
upper ones have on their fuperior edge two black
oblong spots, with a yellow one between the two.
At their extremity is found the eye, large, reddith
in the middle, furrounded with a yellow circle,
accompanied by a small portion of blue towards
the exterior fide. On that fame fide, following
the direction of the margin, there are five or fix
white spots, fet in order. The inferior wings are
browner, and have each a large eye of very dark
blue in the middle, furrounded by an afh-colour
circle, The caterpillar of this butterfly is of a
deep black, dotted with a little white." Of N°
2. he fays, "The ground colour of the infect is a
beautiful gloffy black, the fuperior wings are
ornamented with white forked clouds; the inferior
ones are adorned with spots of a blood-colour,
thofe neareft the extremities being of a lunular”
form, and are indented, terminating in an extended
tail, and are edged with white. The apex, or
crown of the head, is tipt with the fame red
colour which encircles the fhoulders, and termi-
nates the abdomen the space of about five rings."
Of N° 3. (plate CCLXI.) he fays, "The form of
the wings refemble the preceding. They are
beautifully variegated with black and yellow; the
inferior ones terminate in a tail, and, according
to the character of the fection, are adorned with
an eye of a yellowish red colour, encircled with
blue, which is fituated at the edge, neareft the
extremity of the abdomen. This is the largeft,
and one of the most beautiful infects England
produces. The caterpillar is large and smooth, of
a bright green colour, with tranfverfal bands, of a
deep gloffy purple upon every ring, which bands
are enriched with yellow fpots; it feeds on wild
fennel and other umbelliferous plants; changes
into the chryfalis in July, affumes the winged
ftate in Auguft, and frequents meadows.
fometimes appears in May." Mr Reaumur de-
fcribes alfo fome very fingular fpecies. One of
these he calls the bundle of dry leaves. This, when
in a ftate of reft, has wholly the appearance of a
little cluster of the decayed leaves of fome herb.

It

The

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